The Problem of Expiration of Style and the Historiography of Architecture

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216305%3A26110%2F15%3APU116797" target="_blank" >RIV/00216305:26110/15:PU116797 - isvavai.cz</a>

Výsledek na webu

<a href="http://courtauld.ac.uk/research/courtauld-books-online/revival-memories-identities-utopias" target="_blank" >http://courtauld.ac.uk/research/courtauld-books-online/revival-memories-identities-utopias</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Problem of Expiration of Style and the Historiography of Architecture

Popis výsledku v původním jazyce

The essay discusses ideas about the end of styles. To use the notion “revival” in the style debate (Gothic Revival, etc.) seems to be an expression of the persuasion, that a style (Gothic) finished or died in one moment, then it did not exist for a certain period, and after that occurred again, “revived”. But is this construct correct? How can the existence of a style be stopped? Art historians invented three basic hypotheses. First, a style dies as a living organism. Second, a style continues its evolution in another culture. Third, a style disappears because it ceases to be fashionable. What serve these hypotheses for? Who likes the notion “revival” and why “revivalists” usually have not use it? How is a style retained in memory, waiting for its “revival”?

Název v anglickém jazyce

The Problem of Expiration of Style and the Historiography of Architecture

Popis výsledku anglicky

The essay discusses ideas about the end of styles. To use the notion “revival” in the style debate (Gothic Revival, etc.) seems to be an expression of the persuasion, that a style (Gothic) finished or died in one moment, then it did not exist for a certain period, and after that occurred again, “revived”. But is this construct correct? How can the existence of a style be stopped? Art historians invented three basic hypotheses. First, a style dies as a living organism. Second, a style continues its evolution in another culture. Third, a style disappears because it ceases to be fashionable. What serve these hypotheses for? Who likes the notion “revival” and why “revivalists” usually have not use it? How is a style retained in memory, waiting for its “revival”?

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GP408%2F08%2FP167" target="_blank" >GP408/08/P167: Historismus v současné architektuře v České republice</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Revival: Memories, Identities, Utopias

ISBN

978-1-907485-04-6

Počet stran výsledku

14

Strana od-do

86-99

Počet stran knihy

239

Název nakladatele

The Courtauld Institute of Art

Místo vydání

London

Kód UT WoS kapitoly

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