Perception of room mode damping from a musical perspective

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216305%3A26110%2F24%3APU150225" target="_blank" >RIV/00216305:26110/24:PU150225 - isvavai.cz</a>

Výsledek na webu

<a href="https://dael.euracoustics.org/confs/fa2023/data/index.html" target="_blank" >https://dael.euracoustics.org/confs/fa2023/data/index.html</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.61782/fa.2023.0385" target="_blank" >10.61782/fa.2023.0385</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Perception of room mode damping from a musical perspective

Popis výsledku v původním jazyce

Undamped acoustic modes inside rooms - especially in small ones - are often responsible for a decreased acoustic quality, in particular when the rooms’ main function is ”critical listening” and/or ”playing musical instruments”. Mainly in the latter case, treatment with broadband absorption is not always efficient and yields either uneven or too short reverberation times. Rehearsal rooms are typical cases where the ”liveness” of the space needs to be guaranteed and putting a broadband absorber would make it ”too dry”.Rehearsal room design can be seen as a search for an optimal compromise between sound strength and reverberation time across the audible part of the spectrum. This contribution presents results from listening test experiments, in which the perception of modes was investigated, in particular with respect to what extent differences in axial room mode damping are audible.

Název v anglickém jazyce

Perception of room mode damping from a musical perspective

Popis výsledku anglicky

Undamped acoustic modes inside rooms - especially in small ones - are often responsible for a decreased acoustic quality, in particular when the rooms’ main function is ”critical listening” and/or ”playing musical instruments”. Mainly in the latter case, treatment with broadband absorption is not always efficient and yields either uneven or too short reverberation times. Rehearsal rooms are typical cases where the ”liveness” of the space needs to be guaranteed and putting a broadband absorber would make it ”too dry”.Rehearsal room design can be seen as a search for an optimal compromise between sound strength and reverberation time across the audible part of the spectrum. This contribution presents results from listening test experiments, in which the perception of modes was investigated, in particular with respect to what extent differences in axial room mode damping are audible.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

20101 - Civil engineering

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Proceedings of Forum Acusticum 2023

ISBN

978-88-88942-67-4

ISSN

2221-3767

e-ISSN

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Počet stran výsledku

6

Strana od-do

6127-6132

Název nakladatele

European Acoustics Association

Místo vydání

Turin

Místo konání akce

Torino

Datum konání akce

11. 9. 2023

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

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