New Chicks on the Bloc: Punk in the Communism

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F19194951%3A_____%2F25%3AN0000017" target="_blank" >RIV/19194951:_____/25:N0000017 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

New Chicks on the Bloc: Punk in the Communism

Popis výsledku v původním jazyce

This chapter examines women’s participation in punk scenes in socialist Eastern Europe from the late 1970s to the 1980s, situating their creative practices within conditions of political repression, limited cultural exchange, and gendered constraints. Drawing on interviews, archival materials, and autoethnographic insights, the author maps female punk activity across Czechoslovakia, Yugoslavia, Estonia, and the USSR. The text highlights how women musicians negotiated the socialist “gender regime,” appropriated Western punk influences, and created autonomous spaces of expression despite censorship and infrastructural limitations. Through case studies (e.g., Dybbuk/Zuby nehty, Tožibabe, Ave Luna, Yanka Dyagileva), the chapter reframes punk as both a cultural and political practice, emphasizing everyday resistance, DIY ethics, and transnational imaginaries. It contributes to feminist music history by uncovering marginalized voices and challenging male-dominated narratives of Eastern European underground culture.

Název v anglickém jazyce

New Chicks on the Bloc: Punk in the Communism

Popis výsledku anglicky

This chapter examines women’s participation in punk scenes in socialist Eastern Europe from the late 1970s to the 1980s, situating their creative practices within conditions of political repression, limited cultural exchange, and gendered constraints. Drawing on interviews, archival materials, and autoethnographic insights, the author maps female punk activity across Czechoslovakia, Yugoslavia, Estonia, and the USSR. The text highlights how women musicians negotiated the socialist “gender regime,” appropriated Western punk influences, and created autonomous spaces of expression despite censorship and infrastructural limitations. Through case studies (e.g., Dybbuk/Zuby nehty, Tožibabe, Ave Luna, Yanka Dyagileva), the chapter reframes punk as both a cultural and political practice, emphasizing everyday resistance, DIY ethics, and transnational imaginaries. It contributes to feminist music history by uncovering marginalized voices and challenging male-dominated narratives of Eastern European underground culture.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

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Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Unearthing the Music Footnotes to Sonic Resistance in Non-democratic Europe (1950-2000)

ISBN

9783959055406

Počet stran výsledku

26

Strana od-do

202-225

Počet stran knihy

624

Název nakladatele

Spector Books

Místo vydání

Leipzig

Kód UT WoS kapitoly

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