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Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F25940082%3A_____%2F18%3AN0000028" target="_blank" >RIV/25940082:_____/18:N0000028 - isvavai.cz</a>

  • Výsledek na webu

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Beauty Again

  • Popis výsledku v původním jazyce

    In his meditations on the arts of Ancient Greece Friedrich Nietzsche touches upon the essence of what makes art what it is. Since I feel that speaking about the essence of things became a possibility again — the post-modern relativism is less fashionable now, while at the same time it has opened new hitherto unthinkable possibilities of thought and expression — I take as my starting point some key moments of Nietzsche’s thinking on art, in order to get — in the context of modern and contemporary art — an understanding of what makes art still so fundamental to our lives today. The beauty here re-emerges as the main motive again in art. In Nietzsche’s conception of art, beauty is not just an aesthetic category but plays a much more significant role — it is the main and the only criterion of truth. Even though beauty was in the last several decades denied, rejected and forbidden, it re-appears now as a constitutive value in contemporary art — although quietly and not as an aim in itself (as is indeed innate to beauty). Rediscovering beauty is crucial also (and perhaps primarily) in the context of the possible (political) manipulation that art can be easily subjected to — which Plato warned against right at the birth of the mimetic arts, for it can result in spiritual, political and ethical corruption that today as much as ever poisons the cultural and public life of our society — and where beauty stands as the only real measure distinguishing truth from falsity

  • Název v anglickém jazyce

    Beauty Again

  • Popis výsledku anglicky

    In his meditations on the arts of Ancient Greece Friedrich Nietzsche touches upon the essence of what makes art what it is. Since I feel that speaking about the essence of things became a possibility again — the post-modern relativism is less fashionable now, while at the same time it has opened new hitherto unthinkable possibilities of thought and expression — I take as my starting point some key moments of Nietzsche’s thinking on art, in order to get — in the context of modern and contemporary art — an understanding of what makes art still so fundamental to our lives today. The beauty here re-emerges as the main motive again in art. In Nietzsche’s conception of art, beauty is not just an aesthetic category but plays a much more significant role — it is the main and the only criterion of truth. Even though beauty was in the last several decades denied, rejected and forbidden, it re-appears now as a constitutive value in contemporary art — although quietly and not as an aim in itself (as is indeed innate to beauty). Rediscovering beauty is crucial also (and perhaps primarily) in the context of the possible (political) manipulation that art can be easily subjected to — which Plato warned against right at the birth of the mimetic arts, for it can result in spiritual, political and ethical corruption that today as much as ever poisons the cultural and public life of our society — and where beauty stands as the only real measure distinguishing truth from falsity

Klasifikace

  • Druh

    B - Odborná kniha

  • CEP obor

  • OECD FORD obor

    60401 - Arts, Art history

Návaznosti výsledku

  • Projekt

  • Návaznosti

    N - Vyzkumna aktivita podporovana z neverejnych zdroju

Ostatní

  • Rok uplatnění

    2018

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • ISBN

    978-3-330-32508-1

  • Počet stran knihy

    164

  • Název nakladatele

    LAP LAMBERT Academic Publishing

  • Místo vydání

    Beau Bassin

  • Kód UT WoS knihy