From Crisis to Cosmos and Beyond: Tears in Byron, Novalis and Mácha.

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F26482789%3A_____%2F12%3A%230000272" target="_blank" >RIV/26482789:_____/12:#0000272 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

From Crisis to Cosmos and Beyond: Tears in Byron, Novalis and Mácha.

Popis výsledku v původním jazyce

Discussing the uses of tears as literary themes and poetic figures, this article focuses on three poets: Byron, Novalis and Karel Hynek Mácha, a leading representative of Czech Romanticism. The literary links between the former two authors were established in Mácha?s reading and writings: his chef-d??uvre, a lyrical-epic tale May (1836) owes much to Byron?s epic tales and the Third Canto of Childe Harold?s Pilgrimage (1816), while his philosophical fragments in prose were influenced by Novalis? works: his poetry (Hymns to the Night, 1798) and novel Henry von Ofterdingen (1802). The article compares the political, spiritual and aesthetic implications of tears in the above works, foregrounding diverse connections between representations of the universe and the intensity of human emotions. Using Georges Bataille?s notions of ?restrictive? and ?general economy,? these connections are interpreted in the framework of the general ?play of energy? and its analogical patterns represented both o

Název v anglickém jazyce

From Crisis to Cosmos and Beyond: Tears in Byron, Novalis and Mácha.

Popis výsledku anglicky

Discussing the uses of tears as literary themes and poetic figures, this article focuses on three poets: Byron, Novalis and Karel Hynek Mácha, a leading representative of Czech Romanticism. The literary links between the former two authors were established in Mácha?s reading and writings: his chef-d??uvre, a lyrical-epic tale May (1836) owes much to Byron?s epic tales and the Third Canto of Childe Harold?s Pilgrimage (1816), while his philosophical fragments in prose were influenced by Novalis? works: his poetry (Hymns to the Night, 1798) and novel Henry von Ofterdingen (1802). The article compares the political, spiritual and aesthetic implications of tears in the above works, foregrounding diverse connections between representations of the universe and the intensity of human emotions. Using Georges Bataille?s notions of ?restrictive? and ?general economy,? these connections are interpreted in the framework of the general ?play of energy? and its analogical patterns represented both o

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Litteraria Pragensia

ISSN

0862-8424

e-ISSN

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Svazek periodika

22

Číslo periodika v rámci svazku

43

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

12

Strana od-do

82-94

Kód UT WoS článku

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EID výsledku v databázi Scopus

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