“Give and Take”: Representations of the Post-socialist “New Bourgeoisie” in Music Videos.

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F26482789%3A_____%2F18%3AN0000005" target="_blank" >RIV/26482789:_____/18:N0000005 - isvavai.cz</a>

Výsledek na webu

<a href="https://hrcak.srce.hr/202029" target="_blank" >https://hrcak.srce.hr/202029</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.15176/vol55no104" target="_blank" >10.15176/vol55no104</a>

Jazyk výsledku

angličtina

Název v původním jazyce

“Give and Take”: Representations of the Post-socialist “New Bourgeoisie” in Music Videos.

Popis výsledku v původním jazyce

This article explores the critical question of how music videos portrayed the “new bourgeoisie” in early post-socialist music videos. Additionally, it tackles two side issues: the depiction of criminal groups and foreign countries. Unlike the “new class”, post-socialist new bourgeoisie emerged as a class that was entirely economically defi ned by its own material interests. Several values attributable to post-socialist “new bourgeoisie” can be discerned from the music videos: an interplay of ambitions and hedonism, cosmopolitanism as well as of patriotic narratives, and the aspiration of the new bourgeoisie to assert its culturedness vis-a-vis the “intelligentsia”.

Název v anglickém jazyce

“Give and Take”: Representations of the Post-socialist “New Bourgeoisie” in Music Videos.

Popis výsledku anglicky

This article explores the critical question of how music videos portrayed the “new bourgeoisie” in early post-socialist music videos. Additionally, it tackles two side issues: the depiction of criminal groups and foreign countries. Unlike the “new class”, post-socialist new bourgeoisie emerged as a class that was entirely economically defi ned by its own material interests. Several values attributable to post-socialist “new bourgeoisie” can be discerned from the music videos: an interplay of ambitions and hedonism, cosmopolitanism as well as of patriotic narratives, and the aspiration of the new bourgeoisie to assert its culturedness vis-a-vis the “intelligentsia”.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

50404 - Anthropology, ethnology

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Narodna umjetnost : hrvatski časopis za etnologiju i folkloristiku

ISSN

0547-2504

e-ISSN

—

Svazek periodika

55

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

HR - Chorvatská republika

Počet stran výsledku

13

Strana od-do

67-79

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85049856939