Music subculture vs. class revolutionaries: Czech antifascism in the postsocialist era

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F26482789%3A_____%2F20%3AN0000079" target="_blank" >RIV/26482789:_____/20:N0000079 - isvavai.cz</a>

Výsledek na webu

<a href="https://brill.com/view/journals/fasc/9/1-2/article-p56_56.xml" target="_blank" >https://brill.com/view/journals/fasc/9/1-2/article-p56_56.xml</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1163/22116257-09010008" target="_blank" >10.1163/22116257-09010008</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Music subculture vs. class revolutionaries: Czech antifascism in the postsocialist era

Popis výsledku v původním jazyce

With its roots in the political, economic and social changes of 1989/1990, the Czech antifascist movement was initially characterized by its young supporters, who came mostly from subcultural and anarchist circles. When violent far-right skinheads increased their attacks in the country between 1990 and 1992, local antifascists were the main group to physically confront them. Three decades later, as a result of generational and tactical changes, Czech antifascists’ agenda is largely at odds with the class politics that drive important parts of the anarchist movement. At the same time, the antifascist movement retains some subcultural traits that have become depoliticized. Its strategy is now limited to monitoring far-right activists online and running cultural events. This study analyzes internal debates over the antifascist movement’s positions and reflects on their development over time.

Název v anglickém jazyce

Music subculture vs. class revolutionaries: Czech antifascism in the postsocialist era

Popis výsledku anglicky

With its roots in the political, economic and social changes of 1989/1990, the Czech antifascist movement was initially characterized by its young supporters, who came mostly from subcultural and anarchist circles. When violent far-right skinheads increased their attacks in the country between 1990 and 1992, local antifascists were the main group to physically confront them. Three decades later, as a result of generational and tactical changes, Czech antifascists’ agenda is largely at odds with the class politics that drive important parts of the anarchist movement. At the same time, the antifascist movement retains some subcultural traits that have become depoliticized. Its strategy is now limited to monitoring far-right activists online and running cultural events. This study analyzes internal debates over the antifascist movement’s positions and reflects on their development over time.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

<a href="/cs/project/GA20-24091S" target="_blank" >GA20-24091S: Překrásný nový svět: mládež, hudba a třída v českém postsocialismu</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Fascism. Journal of Comparative Fascist Studies

ISSN

2211-6257

e-ISSN

—

Svazek periodika

9

Číslo periodika v rámci svazku

1-2

Stát vydavatele periodika

NL - Nizozemsko

Počet stran výsledku

19

Strana od-do

56-74

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85098530398