The Mimesis of Difference: A Deleuzian Study of Generative AI in Artistic Production

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F26482789%3A_____%2F25%3A10152890" target="_blank" >RIV/26482789:_____/25:10152890 - isvavai.cz</a>

Výsledek na webu

<a href="https://contempaesthetics.org/2025/07/14/the-mimesis-of-difference-a-deleuzian-study-of-generative-ai-in-artistic-production/" target="_blank" >https://contempaesthetics.org/2025/07/14/the-mimesis-of-difference-a-deleuzian-study-of-generative-ai-in-artistic-production/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Mimesis of Difference: A Deleuzian Study of Generative AI in Artistic Production

Popis výsledku v původním jazyce

This study uses the traditional concept of mimesis, reframed by Deleuze as arepetition of difference, to investigate art created by large language models (LLMs) orgenerative pretrained transformers (GPTs). The current rise of AI is intensifying the mimeticrepetition of the different. An AI system repeats carefully selected elements from itsextensive training dataset. Rearranging these elements introduces differences in the mimeticrepetition. Since the training dataset is updated over longer time frames, it is analogous to astatic Platonic universe. Once AI can update its static elements with each repetition, it willbecome the true Dionysian machine, capable of repeating simulacra. Nonetheless, I arguethat human agency cannot be entirely eliminated. LLMs can be considered the most effectivetechnological tool to assist human artists in creating their artworks. Therefore, it is preferableto view AI artworks as AI-assisted but human-created.

Název v anglickém jazyce

The Mimesis of Difference: A Deleuzian Study of Generative AI in Artistic Production

Popis výsledku anglicky

This study uses the traditional concept of mimesis, reframed by Deleuze as arepetition of difference, to investigate art created by large language models (LLMs) orgenerative pretrained transformers (GPTs). The current rise of AI is intensifying the mimeticrepetition of the different. An AI system repeats carefully selected elements from itsextensive training dataset. Rearranging these elements introduces differences in the mimeticrepetition. Since the training dataset is updated over longer time frames, it is analogous to astatic Platonic universe. Once AI can update its static elements with each repetition, it willbecome the true Dionysian machine, capable of repeating simulacra. Nonetheless, I arguethat human agency cannot be entirely eliminated. LLMs can be considered the most effectivetechnological tool to assist human artists in creating their artworks. Therefore, it is preferableto view AI artworks as AI-assisted but human-created.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60301 - Philosophy, History and Philosophy of science and technology

Projekt

<a href="/cs/project/GA23-06827S" target="_blank" >GA23-06827S: Ornament: estetika, politika a metafyzika opakování</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Contemporary Aesthetics

ISSN

1932-8478

e-ISSN

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Svazek periodika

13

Číslo periodika v rámci svazku

2025 Special issue

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

16

Strana od-do

1-16

Kód UT WoS článku

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EID výsledku v databázi Scopus

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