Outsiders or Insiders? John Berger and the Ethical Reframing of Animals

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F44555601%3A13410%2F24%3A43898363" target="_blank" >RIV/44555601:13410/24:43898363 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.tandfonline.com/doi/full/10.1080/01973762.2024.2310915" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/01973762.2024.2310915</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/01973762.2024.2310915" target="_blank" >10.1080/01973762.2024.2310915</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Outsiders or Insiders? John Berger and the Ethical Reframing of Animals

Popis výsledku v původním jazyce

The paper focuses on the changing status of the moral framing of animals in Western visual culture in the last four decades. The author proposes to revise John Berger?s critique of the marginal way of seeing animals in modern museums and zoos. Both institutions presented animals as strangers to urban culture by keeping them isolated in showcases and cages. Mass media that disseminated wildlife documentaries kept on separating animals from human culture by picturing them as representatives of ?wild? species. The paper brings attention to a decisive moment in the reframing of the public gaze, which occurred with the birth of two new visual genres. First, investigative documentaries and activist blogs allowed the human right to exploit animals to be criticized. Second, the rise of social networks allowed animals to be pictured as companions. The author argues that both genres caused an inclusive turn of public gaze that visually integrated animals into urban culture.

Název v anglickém jazyce

Outsiders or Insiders? John Berger and the Ethical Reframing of Animals

Popis výsledku anglicky

The paper focuses on the changing status of the moral framing of animals in Western visual culture in the last four decades. The author proposes to revise John Berger?s critique of the marginal way of seeing animals in modern museums and zoos. Both institutions presented animals as strangers to urban culture by keeping them isolated in showcases and cages. Mass media that disseminated wildlife documentaries kept on separating animals from human culture by picturing them as representatives of ?wild? species. The paper brings attention to a decisive moment in the reframing of the public gaze, which occurred with the birth of two new visual genres. First, investigative documentaries and activist blogs allowed the human right to exploit animals to be criticized. Second, the rise of social networks allowed animals to be pictured as companions. The author argues that both genres caused an inclusive turn of public gaze that visually integrated animals into urban culture.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60301 - Philosophy, History and Philosophy of science and technology

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Visual Resources

ISSN

0197-3762

e-ISSN

1477-2809

Svazek periodika

38

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

13

Strana od-do

87-99

Kód UT WoS článku

001180772400001

EID výsledku v databázi Scopus

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