The Holocaust May Be Important, But It's No Longer Original: Representations of the Holocaust in Slovak Theatre Reviews from 2000 to 2017
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F44555601%3A13530%2F19%3A43894644" target="_blank" >RIV/44555601:13530/19:43894644 - isvavai.cz</a>
Výsledek na webu
<a href="https://doi.org/10.17646/KOME.75698.61" target="_blank" >https://doi.org/10.17646/KOME.75698.61</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.17646/KOME.75698.61" target="_blank" >10.17646/KOME.75698.61</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Holocaust May Be Important, But It's No Longer Original: Representations of the Holocaust in Slovak Theatre Reviews from 2000 to 2017
Popis výsledku v původním jazyce
This article reports findings from a qualitative thematic analysis of 142 Slovak theatre reviews published from 2000 to 2017 about 25 Holocaust dramas staged in Slovakia. Until 2015, most Holocaust dramas employed the "Brechtian" estrangement effect, but since the beginning of 2015, Slovak theatre has shifted towards the use of realistic representation. Dramas employing the estrangement effect were in their reviews considered to be original artworks, and the social value of these plays was emphasized, while realistic representation was considered to be outdated and unoriginal. With the emergence of unoriginality in reviews, the attributed social value of these dramas diminished and the interest of reviewers in the Holocaust drama faded. The subsequent quantitative analysis supports these conclusions.
Název v anglickém jazyce
The Holocaust May Be Important, But It's No Longer Original: Representations of the Holocaust in Slovak Theatre Reviews from 2000 to 2017
Popis výsledku anglicky
This article reports findings from a qualitative thematic analysis of 142 Slovak theatre reviews published from 2000 to 2017 about 25 Holocaust dramas staged in Slovakia. Until 2015, most Holocaust dramas employed the "Brechtian" estrangement effect, but since the beginning of 2015, Slovak theatre has shifted towards the use of realistic representation. Dramas employing the estrangement effect were in their reviews considered to be original artworks, and the social value of these plays was emphasized, while realistic representation was considered to be outdated and unoriginal. With the emergence of unoriginality in reviews, the attributed social value of these dramas diminished and the interest of reviewers in the Holocaust drama faded. The subsequent quantitative analysis supports these conclusions.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
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OECD FORD obor
50802 - Media and socio-cultural communication
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2019
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
KOME: An International Journal of Pure Communication Inquiry
ISSN
2063-7330
e-ISSN
—
Svazek periodika
7
Číslo periodika v rámci svazku
1
Stát vydavatele periodika
HU - Maďarsko
Počet stran výsledku
13
Strana od-do
84-97
Kód UT WoS článku
000473801500005
EID výsledku v databázi Scopus
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