Drama and Democracy: An Exploration of Democracy in Arthur Miller's Plays on Pilsen Stages
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23330%2F11%3A43918143" target="_blank" >RIV/49777513:23330/11:43918143 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Drama and Democracy: An Exploration of Democracy in Arthur Miller's Plays on Pilsen Stages
Popis výsledku v původním jazyce
The aim of this article is to analyse the rendition of democracy in Miller's plays performed on Pilsen stages in terms of the significant social and political events and developments in the second half of the 20th century. Not long after World War II, the formerly tense wartime atmosphere seemed to come back to life on the stage. To state a particular instance, "All My Sons" (1948) not only mirrored the wartime era, but, in some respects, also anticipated the era that was to come. The next production ofa play by Miller, "A View from the Bridge" was staged only in 1962. It was staged during the directorship of Václav Špidla, whose version of "Macbeth" (1963) established a short, new theatrical era in Pilsen Theatre. During Jan Fišer's directorship, twoproductions of Miller's plays were staged: "Incident at Vichy" (1965) and "The Crucible" (1967). With respect to the socio-political climate, both interpretations might have anticipated the loosening of the political atmosphere towards t
Název v anglickém jazyce
Drama and Democracy: An Exploration of Democracy in Arthur Miller's Plays on Pilsen Stages
Popis výsledku anglicky
The aim of this article is to analyse the rendition of democracy in Miller's plays performed on Pilsen stages in terms of the significant social and political events and developments in the second half of the 20th century. Not long after World War II, the formerly tense wartime atmosphere seemed to come back to life on the stage. To state a particular instance, "All My Sons" (1948) not only mirrored the wartime era, but, in some respects, also anticipated the era that was to come. The next production ofa play by Miller, "A View from the Bridge" was staged only in 1962. It was staged during the directorship of Václav Špidla, whose version of "Macbeth" (1963) established a short, new theatrical era in Pilsen Theatre. During Jan Fišer's directorship, twoproductions of Miller's plays were staged: "Incident at Vichy" (1965) and "The Crucible" (1967). With respect to the socio-political climate, both interpretations might have anticipated the loosening of the political atmosphere towards t
Klasifikace
Druh
J<sub>x</sub> - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)
CEP obor
AL - Umění, architektura, kulturní dědictví
OECD FORD obor
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Návaznosti výsledku
Projekt
<a href="/cs/project/GP405%2F09%2FP035" target="_blank" >GP405/09/P035: Anglická a americká dramatická tvorba na plzeňských divadelních scénách v kontextu společenských událostí dvacátého století</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2011
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Acta Fakulty filozofické Západočeské univerzity v Plzni
ISSN
1802-0364
e-ISSN
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Svazek periodika
3
Číslo periodika v rámci svazku
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Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
10
Strana od-do
15-24
Kód UT WoS článku
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EID výsledku v databázi Scopus
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