Shakespeare's Poetry in the context of mimesis and imitatio in Elizabethan Poetics

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23330%2F14%3A43922244" target="_blank" >RIV/49777513:23330/14:43922244 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Shakespeare's Poetry in the context of mimesis and imitatio in Elizabethan Poetics

Popis výsledku v původním jazyce

The study deals with the fundamental topics of Elizabethan poetics, namely the Elizabethan considerations of the classical mimetic concept (particularly Aristotle and Horace). Shakespeare's poetics will be clarified on the basis of the chosen aspects ofhis poetry (namely with the help of his Sonnets, Venus and Adonis, Lucrece and The Phoenix and the Turtle) and in comparison with Elizabethan discussions about poetics (especially Philip Sidney and Edmund Spenser). Unlike Sidney or Spenser, Shakespeare did not compose any theoretic work dealing with poetics; nevertheless one can explore his consideration of it with the help of his poetry. First of all it is obvious he does not surrender to classical aesthetic rules. On the other hand, Elizabethan poetics is not overly rigid and resists slavish imitations of classical examples. In this context we see Shakespeare not as solitary or anarchist, but as dramatist; a fine observer of the passions and interests of his time and not daring to exp

Název v anglickém jazyce

Shakespeare's Poetry in the context of mimesis and imitatio in Elizabethan Poetics

Popis výsledku anglicky

The study deals with the fundamental topics of Elizabethan poetics, namely the Elizabethan considerations of the classical mimetic concept (particularly Aristotle and Horace). Shakespeare's poetics will be clarified on the basis of the chosen aspects ofhis poetry (namely with the help of his Sonnets, Venus and Adonis, Lucrece and The Phoenix and the Turtle) and in comparison with Elizabethan discussions about poetics (especially Philip Sidney and Edmund Spenser). Unlike Sidney or Spenser, Shakespeare did not compose any theoretic work dealing with poetics; nevertheless one can explore his consideration of it with the help of his poetry. First of all it is obvious he does not surrender to classical aesthetic rules. On the other hand, Elizabethan poetics is not overly rigid and resists slavish imitations of classical examples. In this context we see Shakespeare not as solitary or anarchist, but as dramatist; a fine observer of the passions and interests of his time and not daring to exp

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/EE2.3.20.0138" target="_blank" >EE2.3.20.0138: Výzkumné centrum pro teorii a dějiny vědy</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

American and British Studies Annual

ISSN

1803-6058

e-ISSN

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Svazek periodika

7

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

14

Strana od-do

157-170

Kód UT WoS článku

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EID výsledku v databázi Scopus

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