Approaching the sounds of the past. Music, acoustics and identity

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23330%2F22%3A43966810" target="_blank" >RIV/49777513:23330/22:43966810 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.wac-9.org/sessions" target="_blank" >https://www.wac-9.org/sessions</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Approaching the sounds of the past. Music, acoustics and identity

Popis výsledku v původním jazyce

Archaeoacoustics is a field characterised by a marked interdisciplinary dimension which needs from the cooperation between archaeology and many other disciplines including history, ethnomusicology, acoustical physics, psychology and theology. Archaeoacoustic rises a wide range of new theoretical questions as well as methodological issues. In this session we welcome papers dealing with research on identity and past sound and musical behaviours (from simple sound producing tools to elaborate musical instruments). We invite contributions assessing specific acoustical spaces in natural and built environments, reconstructing past soundscapes and looking at evaluating the implementation of new technologies that are allowing the capture of new data to evaluate both natural and intentionally produced sounds. We would also like to encourage papers dealing with theoretical questions regarding our construction of archaeological knowledge in relation to sound and music.

Název v anglickém jazyce

Approaching the sounds of the past. Music, acoustics and identity

Popis výsledku anglicky

Archaeoacoustics is a field characterised by a marked interdisciplinary dimension which needs from the cooperation between archaeology and many other disciplines including history, ethnomusicology, acoustical physics, psychology and theology. Archaeoacoustic rises a wide range of new theoretical questions as well as methodological issues. In this session we welcome papers dealing with research on identity and past sound and musical behaviours (from simple sound producing tools to elaborate musical instruments). We invite contributions assessing specific acoustical spaces in natural and built environments, reconstructing past soundscapes and looking at evaluating the implementation of new technologies that are allowing the capture of new data to evaluate both natural and intentionally produced sounds. We would also like to encourage papers dealing with theoretical questions regarding our construction of archaeological knowledge in relation to sound and music.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60102 - Archaeology

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů