The Inhuman in Paris and Mississippi: Mapping the Real Estate of Genre in Barry Hannah's Yonder Stands Your Orphan

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Inhuman in Paris and Mississippi: Mapping the Real Estate of Genre in Barry Hannah's Yonder Stands Your Orphan

Popis výsledku v původním jazyce

This essay is an exploration of Barry Hannah's interest in genre fiction, particularly noir and horror motifs, and the way his style in the latter part of his career was influenced by his reception in France after being included in the Série Noire imprint published by the legendary Gallimard Press. Hannah's membership of this stable of authors resulted in a radical shift in the voice of his final novel, Yonder Stands Your Orphan (2001). Ultimately, Hannah's use of noir and horror motifs stems from his own desire to be more commercially successful and retreat from the southern and postmodern labels, which enhanced his reputation in academic circles but limited his popular appeal. His inclusion in Série Noire gave the author a European literary identitythat could simultaneously be envisioned as both popular and artistically respectable. Despite his ambitions to be more commercially successful, Yonder Stands Your Orphan is an extended critique of twenty-first-century capitalism, showing

Název v anglickém jazyce

The Inhuman in Paris and Mississippi: Mapping the Real Estate of Genre in Barry Hannah's Yonder Stands Your Orphan

Popis výsledku anglicky

This essay is an exploration of Barry Hannah's interest in genre fiction, particularly noir and horror motifs, and the way his style in the latter part of his career was influenced by his reception in France after being included in the Série Noire imprint published by the legendary Gallimard Press. Hannah's membership of this stable of authors resulted in a radical shift in the voice of his final novel, Yonder Stands Your Orphan (2001). Ultimately, Hannah's use of noir and horror motifs stems from his own desire to be more commercially successful and retreat from the southern and postmodern labels, which enhanced his reputation in academic circles but limited his popular appeal. His inclusion in Série Noire gave the author a European literary identitythat could simultaneously be envisioned as both popular and artistically respectable. Despite his ambitions to be more commercially successful, Yonder Stands Your Orphan is an extended critique of twenty-first-century capitalism, showing

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Moravian Journal of Literature and Film

ISSN

1803-7720

e-ISSN

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Svazek periodika

5

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

14

Strana od-do

67-80

Kód UT WoS článku

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EID výsledku v databázi Scopus

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