W. B. Yeats and the end of the world

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23420%2F20%3A43958451" target="_blank" >RIV/49777513:23420/20:43958451 - isvavai.cz</a>

Výsledek na webu

<a href="https://tigerprints.clemson.edu/cgi/viewcontent.cgi?article=1090&context=iys" target="_blank" >https://tigerprints.clemson.edu/cgi/viewcontent.cgi?article=1090&context=iys</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.34068/IYS.04.01.04" target="_blank" >10.34068/IYS.04.01.04</a>

Jazyk výsledku

angličtina

Název v původním jazyce

W. B. Yeats and the end of the world

Popis výsledku v původním jazyce

This article explores the connection between current ideas of ecological apocalypse and cultural form. The philosopher Timothy Morton argues that certain late modernist forms are more amenable to the imaginative representation of what he calls hyperobjects (especially, the hyperobject of global warming). However, through a consideration of Yeats’s formal choices when he faced his own apocalypse, we can broaden our ideas of viable cultural responses for our own moment. According to Barry Shiels, Yeats stands at the beginning of twentieth-century world literature idiom that draws on a expansive range of global cultural contexts: his “global poetry” enables to take on the theme of the globe’s end. Particularly, Yeats’s lifelong use of rhyme indicates that older traditions offer feasible artistic responses, beyond the protocols of late modernism.

Název v anglickém jazyce

W. B. Yeats and the end of the world

Popis výsledku anglicky

This article explores the connection between current ideas of ecological apocalypse and cultural form. The philosopher Timothy Morton argues that certain late modernist forms are more amenable to the imaginative representation of what he calls hyperobjects (especially, the hyperobject of global warming). However, through a consideration of Yeats’s formal choices when he faced his own apocalypse, we can broaden our ideas of viable cultural responses for our own moment. According to Barry Shiels, Yeats stands at the beginning of twentieth-century world literature idiom that draws on a expansive range of global cultural contexts: his “global poetry” enables to take on the theme of the globe’s end. Particularly, Yeats’s lifelong use of rhyme indicates that older traditions offer feasible artistic responses, beyond the protocols of late modernism.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60204 - General literature studies

Projekt

—

Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

International Yeats Studies

ISSN

2475-9627

e-ISSN

—

Svazek periodika

4

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

14

Strana od-do

59-72

Kód UT WoS článku

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EID výsledku v databázi Scopus

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