Václav Havel’s Reflection on Freedom and Human Identity in Contemporary Context
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60076658%3A12210%2F19%3A43900435" target="_blank" >RIV/60076658:12210/19:43900435 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.flipsnack.com/unimoron/revista-de-investigaciones-cient-ficas-de-la-um-f7kaz83ko.html" target="_blank" >https://www.flipsnack.com/unimoron/revista-de-investigaciones-cient-ficas-de-la-um-f7kaz83ko.html</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Václav Havel’s Reflection on Freedom and Human Identity in Contemporary Context
Popis výsledku v původním jazyce
Václav Havel (1936-2011) is a key figure of intellectual and political life in Czechoslovakia (later Czech Republic) from the 1960s until his death. Already in his early plays (The Garden Party, 1963; The Memorandum, 1965 and The Increased Difficulty of Concentration, 1968), he focused on the “human condition” of a totalitarian regime: his characters are caught in a net of bureaucratic, dehumanizing relations defined by hackneyed phrases and alienated “in-human” language. The seeming “complexity” of the “system” marks the fundamental impossibility of free human expression and leads to an ever-growing dissolution of human identity. Havel’s further work, esp. his one-act plays of the 1970s, intensifies this focus. In his Vaněk plays - Audience (1975), Unveiling (1975) and Protest (1978), the fundamental situation is a conflict between a sense of inner identity and inner freedom on the part of the main protagonist and the incomprehension of those who accepted the status quo and gave up their freedom and identity for the “permitted joysˮ of an essentially consumerist late Communist Czechoslovak society. Once elected President, in a tumultuous period of post-Communist transformation, Havel repeatedly thematised the link between freedom and human identity: the temptations of a hedonistic and narcissistic society as well as the prefabricated language of post-Communist populism reduce the meaning of authentic human freedom. For Havel, freedom is not only freedom from something (oppression, poverty, or the mendacity of the Communist “system”) but above all freedom for a unique human identity, for unique contribution(s) of different cultures; freedom for creativity, innovation and peace. The paper focuses on the fundamental link between freedom and human identity in Havel’s thought and its relevance in the 21st century.
Název v anglickém jazyce
Václav Havel’s Reflection on Freedom and Human Identity in Contemporary Context
Popis výsledku anglicky
Václav Havel (1936-2011) is a key figure of intellectual and political life in Czechoslovakia (later Czech Republic) from the 1960s until his death. Already in his early plays (The Garden Party, 1963; The Memorandum, 1965 and The Increased Difficulty of Concentration, 1968), he focused on the “human condition” of a totalitarian regime: his characters are caught in a net of bureaucratic, dehumanizing relations defined by hackneyed phrases and alienated “in-human” language. The seeming “complexity” of the “system” marks the fundamental impossibility of free human expression and leads to an ever-growing dissolution of human identity. Havel’s further work, esp. his one-act plays of the 1970s, intensifies this focus. In his Vaněk plays - Audience (1975), Unveiling (1975) and Protest (1978), the fundamental situation is a conflict between a sense of inner identity and inner freedom on the part of the main protagonist and the incomprehension of those who accepted the status quo and gave up their freedom and identity for the “permitted joysˮ of an essentially consumerist late Communist Czechoslovak society. Once elected President, in a tumultuous period of post-Communist transformation, Havel repeatedly thematised the link between freedom and human identity: the temptations of a hedonistic and narcissistic society as well as the prefabricated language of post-Communist populism reduce the meaning of authentic human freedom. For Havel, freedom is not only freedom from something (oppression, poverty, or the mendacity of the Communist “system”) but above all freedom for a unique human identity, for unique contribution(s) of different cultures; freedom for creativity, innovation and peace. The paper focuses on the fundamental link between freedom and human identity in Havel’s thought and its relevance in the 21st century.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
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OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2019
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Revista de Investigaciones Científicas de la Universidad de Morón
ISSN
2591-5444
e-ISSN
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Svazek periodika
3
Číslo periodika v rámci svazku
5
Stát vydavatele periodika
AR - Argentinská republika
Počet stran výsledku
10
Strana od-do
"103–112"
Kód UT WoS článku
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EID výsledku v databázi Scopus
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