Art of the People and art for the People: Folk Craft as a Model for Czechoslovak Modernist Design

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A53810%2F14%3A%230000089" target="_blank" >RIV/60461071:53810/14:#0000089 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Art of the People and art for the People: Folk Craft as a Model for Czechoslovak Modernist Design

Popis výsledku v původním jazyce

The dominant narrative of art history presents the situation of Czech (or Czechoslovak) applied art at the beginning of the 1920s as an irreconcilable polarization of two approaches: a conservatively nationalist vs. an innovatively cosmopolitan, an opposition of traditional crafts vs. industrial standard production, decorative against pure and elementary. According to this stereotype, avant-garde artists opposed local tradition and local folk models and began to introduce a concept of supranational, universal modernist. This study sets out to amend this largely codified antagonism and to present, with concrete examples, an interpretation on which folk art and folklore inspiration are shown as a direct model for modernist tendencies. We will examine and designate themes and areas where folklore, folk arts and crafts and folk building could have served as models for modernist design.

Název v anglickém jazyce

Art of the People and art for the People: Folk Craft as a Model for Czechoslovak Modernist Design

Popis výsledku anglicky

The dominant narrative of art history presents the situation of Czech (or Czechoslovak) applied art at the beginning of the 1920s as an irreconcilable polarization of two approaches: a conservatively nationalist vs. an innovatively cosmopolitan, an opposition of traditional crafts vs. industrial standard production, decorative against pure and elementary. According to this stereotype, avant-garde artists opposed local tradition and local folk models and began to introduce a concept of supranational, universal modernist. This study sets out to amend this largely codified antagonism and to present, with concrete examples, an interpretation on which folk art and folklore inspiration are shown as a direct model for modernist tendencies. We will examine and designate themes and areas where folklore, folk arts and crafts and folk building could have served as models for modernist design.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/DF12P01OVV041" target="_blank" >DF12P01OVV041: Umění, architektura, design a národní identita</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

CENTROPA : Journal of Central European architecture and related arts

ISSN

1532-5563

e-ISSN

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Svazek periodika

14

Číslo periodika v rámci svazku

podzim

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

13

Strana od-do

247-259

Kód UT WoS článku

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EID výsledku v databázi Scopus

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