Photography and Fiction in Czech 'Action Art' - participation in the conference Photography and the Unrepresentable. A History of Photographic (Mis)representation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F12%3A%230000266" target="_blank" >RIV/60461071:_____/12:#0000266 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.essex.ac.uk/arthistory/photography_and_the_unrepresentable/patu_programme.html" target="_blank" >http://www.essex.ac.uk/arthistory/photography_and_the_unrepresentable/patu_programme.html</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Photography and Fiction in Czech 'Action Art' - participation in the conference Photography and the Unrepresentable. A History of Photographic (Mis)representation

Popis výsledku v původním jazyce

"[W]e cannot even recognize the representational power of a medium except with reference to other media." (Jay David Bolter and Richard Grusin, Remediation. Understanding New Media) Following-up on the quoted text, I showed what we come to know about thepossibilities of photographic representation during the moment when photography enters into a relationship with performance art. I thus concerned myself with the relationship between a photograph and an action taking place which is recorded onto the photograph, and I attempted to show that for the making of a photograph an actual realization of the "action taking place" is not necessarily needed. For example, within its broader whole a photographic series or sequence has this photographic ability to create the illusion of temporal succession and of the fluency of the recorded action. The photographic series then serves as a tool for inducing the impression that the depicted action really took place. In such a case, a paradoxical situat

Název v anglickém jazyce

Photography and Fiction in Czech 'Action Art' - participation in the conference Photography and the Unrepresentable. A History of Photographic (Mis)representation

Popis výsledku anglicky

"[W]e cannot even recognize the representational power of a medium except with reference to other media." (Jay David Bolter and Richard Grusin, Remediation. Understanding New Media) Following-up on the quoted text, I showed what we come to know about thepossibilities of photographic representation during the moment when photography enters into a relationship with performance art. I thus concerned myself with the relationship between a photograph and an action taking place which is recorded onto the photograph, and I attempted to show that for the making of a photograph an actual realization of the "action taking place" is not necessarily needed. For example, within its broader whole a photographic series or sequence has this photographic ability to create the illusion of temporal succession and of the fluency of the recorded action. The photographic series then serves as a tool for inducing the impression that the depicted action really took place. In such a case, a paradoxical situat

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů