Scenotecture: between scenography and exhibition architecture

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F24%3AN0000052" target="_blank" >RIV/60461071:_____/24:N0000052 - isvavai.cz</a>

Výsledek na webu

<a href="https://scen.uns.ac.rs/projects/life-is-serious-art-serene-architectural-scenic-research/" target="_blank" >https://scen.uns.ac.rs/projects/life-is-serious-art-serene-architectural-scenic-research/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Scenotecture: between scenography and exhibition architecture

Popis výsledku v původním jazyce

This conference paper deals with the scenography approach to the physical representation of art exhibitions in the Czech Republic that are being realized by contemporary visual artists. After a brief outline of the specifics of the field of "exhibition scenography" as were anchored mainly through the activities of the national enterprise “Výstavnictví” in the 1960s and 1970s in former Czechoslovak Socialist Republic, the paper focuses on later disruption of this field and gradual establishment of the field of "exhibition architecture" after 1989. Followingly, the paper will introduce selected art exhibitions (of mainly permanent collections) and their spatial solutions which might be considered as a peculiar artistic-interpretive layer oscillating between authorial gesture and utilitarian service. As I propose, those cases better fit into the rank of "scenography" rather than "architecture" despite the fact the term "exhibition scenography" is almost not in use any more in Czechia. Specifically, I will introduce such exhibitions that were spatially prepared by artists who, apparently due to the lack of institutional exhibition support after 1989, also started to work as creators of exhibition environments next to their fine art practices. As I suggest, those artists such as Dominik Lang, Tomas Svoboda or Zbyněk Baladran began to bring specific qualities to exhibition-making, more or less intuitively, that are close to scenography in the general sense of this discipline. Chosen examples of such exhibition spaces will also demonstrate how scenographic approach co-creates the whole curatorial concept. - https://scen.uns.ac.rs/projects/life-is-serious-art-serene-architectural-scenic-research/

Název v anglickém jazyce

Scenotecture: between scenography and exhibition architecture

Popis výsledku anglicky

This conference paper deals with the scenography approach to the physical representation of art exhibitions in the Czech Republic that are being realized by contemporary visual artists. After a brief outline of the specifics of the field of "exhibition scenography" as were anchored mainly through the activities of the national enterprise “Výstavnictví” in the 1960s and 1970s in former Czechoslovak Socialist Republic, the paper focuses on later disruption of this field and gradual establishment of the field of "exhibition architecture" after 1989. Followingly, the paper will introduce selected art exhibitions (of mainly permanent collections) and their spatial solutions which might be considered as a peculiar artistic-interpretive layer oscillating between authorial gesture and utilitarian service. As I propose, those cases better fit into the rank of "scenography" rather than "architecture" despite the fact the term "exhibition scenography" is almost not in use any more in Czechia. Specifically, I will introduce such exhibitions that were spatially prepared by artists who, apparently due to the lack of institutional exhibition support after 1989, also started to work as creators of exhibition environments next to their fine art practices. As I suggest, those artists such as Dominik Lang, Tomas Svoboda or Zbyněk Baladran began to bring specific qualities to exhibition-making, more or less intuitively, that are close to scenography in the general sense of this discipline. Chosen examples of such exhibition spaces will also demonstrate how scenographic approach co-creates the whole curatorial concept. - https://scen.uns.ac.rs/projects/life-is-serious-art-serene-architectural-scenic-research/

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů