Piecing Together a Story of the Medieval Work of Art Man of Sorrows on a Console with an Angel Bust from the Old Town City Hall in Prague

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A52810%2F10%3A%230000078" target="_blank" >RIV/60461446:52810/10:#0000078 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Piecing Together a Story of the Medieval Work of Art Man of Sorrows on a Console with an Angel Bust from the Old Town City Hall in Prague

Popis výsledku v původním jazyce

Man of sorrows on a console with an angel bust and with an inscription tablet from the Old Town City Hall in Prague was created by the Master of the Tyn Calvary, which was shortly after the Hussite wars one of the most important sculptors in Prague. Despite of that his work remains permanently discussed by experts and here described work of art has previously been a subject of various hypotheses. Thanks to restoration works the authors had the opportunity to investigate whole sculpture in terms of materials analysis, which enabled to to confirm by scientific methods that all three parts form a coherent ensemble, created by the same masters workshop. In gilded areas of the angel bust a Zwishgold was sticked on a thin layer of boiled oil. In all incarnates an organic red lake pigment was found in particular, that was used instead of vermillion. The inscription tablet was studied for the first time and the presence of the oldest Gothic painting layers was here confirmed.

Název v anglickém jazyce

Piecing Together a Story of the Medieval Work of Art Man of Sorrows on a Console with an Angel Bust from the Old Town City Hall in Prague

Popis výsledku anglicky

Man of sorrows on a console with an angel bust and with an inscription tablet from the Old Town City Hall in Prague was created by the Master of the Tyn Calvary, which was shortly after the Hussite wars one of the most important sculptors in Prague. Despite of that his work remains permanently discussed by experts and here described work of art has previously been a subject of various hypotheses. Thanks to restoration works the authors had the opportunity to investigate whole sculpture in terms of materials analysis, which enabled to to confirm by scientific methods that all three parts form a coherent ensemble, created by the same masters workshop. In gilded areas of the angel bust a Zwishgold was sticked on a thin layer of boiled oil. In all incarnates an organic red lake pigment was found in particular, that was used instead of vermillion. The inscription tablet was studied for the first time and the presence of the oldest Gothic painting layers was here confirmed.

Druh

D - Stať ve sborníku

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

Z - Vyzkumny zamer (s odkazem do CEZ)<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2010

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

ACTA ARTIS ACADEMICA 2010 : THE STORY OF ART - ARTWORK CHANGES IN TIME

ISBN

978-80-87108-14-7

ISSN

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e-ISSN

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Počet stran výsledku

13

Strana od-do

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Název nakladatele

Akademie výtvarných umění, Praha

Místo vydání

Prague, Czech Republic

Místo konání akce

Prague

Datum konání akce

24. 11. 2010

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

000288141200017