Life is art, art is life: Czech action 1964-1969

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A52810%2F15%3A%230000216" target="_blank" >RIV/60461446:52810/15:#0000216 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.akademiai.com/doi/abs/10.1556/170.2015.55.1.14" target="_blank" >http://www.akademiai.com/doi/abs/10.1556/170.2015.55.1.14</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1556/170.2015.55.1.14" target="_blank" >10.1556/170.2015.55.1.14</a>

Jazyk výsledku

čeština

Název v původním jazyce

Life is art, art is life: Czech action 1964-1969

Popis výsledku v původním jazyce

The death of Stalin in 1953, followed by the denunciation of the cult of personality at the 20th Congress of the Communist Party of the Soviet Union in 1956, led to a certain thaw in the Soviet zones of influence. However, this was a very slow, complex process, well illustrated by the fate of the Stalin monument in Prague. After its demolition in 1962, Czech culture entered the period of the Long Sixties, which was actually quite short. Russian tanks entering Prague August 21st, 1968 brought this exciting and promising process to its end. This text focuses on the development of Czech Happenings and Performance Art, during this short period, questioning the political and sociological situation in which this art developed. Czech artists, both male and female, such as Milan Knížák, Eugen Brikcius, Jan Steklík and Zorka Ságlová, explored the possibilities of newly shifted boundaries between art and life.

Název v anglickém jazyce

Life is art, art is life: Czech action 1964-1969

Popis výsledku anglicky

The death of Stalin in 1953, followed by the denunciation of the cult of personality at the 20th Congress of the Communist Party of the Soviet Union in 1956, led to a certain thaw in the Soviet zones of influence. However, this was a very slow, complex process, well illustrated by the fate of the Stalin monument in Prague. After its demolition in 1962, Czech culture entered the period of the Long Sixties, which was actually quite short. Russian tanks entering Prague August 21st, 1968 brought this exciting and promising process to its end. This text focuses on the development of Czech Happenings and Performance Art, during this short period, questioning the political and sociological situation in which this art developed. Czech artists, both male and female, such as Milan Knížák, Eugen Brikcius, Jan Steklík and Zorka Ságlová, explored the possibilities of newly shifted boundaries between art and life.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Acta Historiae Artium

ISSN

0001-5830

e-ISSN

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Svazek periodika

56

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

HU - Maďarsko

Počet stran výsledku

10

Strana od-do

213-222

Kód UT WoS článku

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EID výsledku v databázi Scopus

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