Differentiation between anonymous paintings of the 17th and the early 18th century by composition of clay-based grounds

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A52810%2F15%3A%230000229" target="_blank" >RIV/60461446:52810/15:#0000229 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/61388980:_____/15:00447648 RIV/60461446:52810/15:#0000209

Výsledek na webu

<a href="http://www.sciencedirect.com/science/article/pii/S0169131715301022" target="_blank" >http://www.sciencedirect.com/science/article/pii/S0169131715301022</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1016/j.clay.2015.08.038" target="_blank" >10.1016/j.clay.2015.08.038</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Differentiation between anonymous paintings of the 17th and the early 18th century by composition of clay-based grounds

Popis výsledku v původním jazyce

Numerous anonymous paintings are preserved in depositories of European galleries. The reasons why they are not being shown to the public differ, but one of them is their doubtful attribution and relative dating. There is a large amount of unsigned paintings of varying artistic quality and also lots of copies of unknown provenance. We have found out that mineralogical analysis based on X-ray powder micro-diffraction measurements is able to provide exact parameters for the classification of earthy groundlayers of paintings into well-defined types. In the period of the 17th and the early 18th century, these types were regionally specific, because various coloured clay-based materials became popular thanks to significant changes in the painting technology. They gradually substituted previously used white chalk and/or gypsum (gesso). Within comparative research performed on paintings from Czech collections, we were able to distinguish those of Italian and those of Central-European provenan

Název v anglickém jazyce

Differentiation between anonymous paintings of the 17th and the early 18th century by composition of clay-based grounds

Popis výsledku anglicky

Numerous anonymous paintings are preserved in depositories of European galleries. The reasons why they are not being shown to the public differ, but one of them is their doubtful attribution and relative dating. There is a large amount of unsigned paintings of varying artistic quality and also lots of copies of unknown provenance. We have found out that mineralogical analysis based on X-ray powder micro-diffraction measurements is able to provide exact parameters for the classification of earthy groundlayers of paintings into well-defined types. In the period of the 17th and the early 18th century, these types were regionally specific, because various coloured clay-based materials became popular thanks to significant changes in the painting technology. They gradually substituted previously used white chalk and/or gypsum (gesso). Within comparative research performed on paintings from Czech collections, we were able to distinguish those of Italian and those of Central-European provenan

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

CA - Anorganická chemie

OECD FORD obor

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Projekt

<a href="/cs/project/GA14-22984S" target="_blank" >GA14-22984S: Mikroanalýza jílových minerálů ve výtvarném umění jako součást provenienčních studií</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Applied Clay Science

ISSN

0169-1317

e-ISSN

—

Svazek periodika

118

Číslo periodika v rámci svazku

prosinec 2015

Stát vydavatele periodika

NL - Nizozemsko

Počet stran výsledku

13

Strana od-do

8-20

Kód UT WoS článku

000365056400002

EID výsledku v databázi Scopus

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