Rebecca and Eliezer at the well – a mysterious oil painting from the Historical museum of the Slovak National Museum at the Bratislava Castle

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A52810%2F17%3AN0000037" target="_blank" >RIV/60461446:52810/17:N0000037 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/60461446:52810/17:N0000044 RIV/61388980:_____/17:00489427

Výsledek na webu

<a href="http://apps.webofknowledge.com/full_record.do?product=WOS&search_mode=GeneralSearch&qid=56&SID=D2LchFZRYoUg11Qa8Q5&page=1&doc=1" target="_blank" >http://apps.webofknowledge.com/full_record.do?product=WOS&search_mode=GeneralSearch&qid=56&SID=D2LchFZRYoUg11Qa8Q5&page=1&doc=1</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Rebecca and Eliezer at the well – a mysterious oil painting from the Historical museum of the Slovak National Museum at the Bratislava Castle

Popis výsledku v původním jazyce

Light microscopy, scanning electron microscopy and microanalysis, X-ray powder micro-diffraction, infrared micro-spectrometry as well as palaeontological analysis have been applied in order to solve the question of provenance of the oil-on-canvas painting Rebecca and Eliezer at the well. In addition to the finding of pigments important for the dating of the painting, as, e.g. Naples yellow (Pb2Sb2O7), or smalt, fossil nannoplankton was described in the carbonate-rich clay ground. It indicates the use of marine sediments of Eocene to Oligocene age. According to mineralogical and paleontological data this ground may be included among grounds used in Italy, particularly in the 17th century. The studied painting is today greatly altered due to extensive reworkings. Prussian blue was used to overpaint faded ultramarine and degraded smalt, which is visibly affected by saponification processes.

Název v anglickém jazyce

Rebecca and Eliezer at the well – a mysterious oil painting from the Historical museum of the Slovak National Museum at the Bratislava Castle

Popis výsledku anglicky

Light microscopy, scanning electron microscopy and microanalysis, X-ray powder micro-diffraction, infrared micro-spectrometry as well as palaeontological analysis have been applied in order to solve the question of provenance of the oil-on-canvas painting Rebecca and Eliezer at the well. In addition to the finding of pigments important for the dating of the painting, as, e.g. Naples yellow (Pb2Sb2O7), or smalt, fossil nannoplankton was described in the carbonate-rich clay ground. It indicates the use of marine sediments of Eocene to Oligocene age. According to mineralogical and paleontological data this ground may be included among grounds used in Italy, particularly in the 17th century. The studied painting is today greatly altered due to extensive reworkings. Prussian blue was used to overpaint faded ultramarine and degraded smalt, which is visibly affected by saponification processes.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

10406 - Analytical chemistry

Projekt

Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Acta Artis Academica 2017: Painting as a Story

ISBN

978-80-87108-75-8

ISSN

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e-ISSN

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Počet stran výsledku

9

Strana od-do

103-111

Název nakladatele

Academy of Fine Arts in Prague

Místo vydání

Praha

Místo konání akce

Augustinian Abbey, Brno, Czech Republic

Datum konání akce

1. 6. 2017

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

000430517600008