A dance practice of ‘choreographic improvisation’: interview with Rosalind Crisp

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F21%3AN0000170" target="_blank" >RIV/61384984:51110/21:N0000170 - isvavai.cz</a>

Výsledek na webu

<a href="https://independentdance.co.uk/library/choreographic-improvisation-rosalind-crisp/" target="_blank" >https://independentdance.co.uk/library/choreographic-improvisation-rosalind-crisp/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

A dance practice of ‘choreographic improvisation’: interview with Rosalind Crisp

Popis výsledku v původním jazyce

In this interview, Rosalind Crisp discusses the nature and evolution of her creative practice of choreographic improvisation; her teaching and performance practices; and her view of the broader implications of dance. Crisp describes how her work has evolved from questioning dance itself to addressing broader world issues. Returning to Australia from France, and facing the “vanishing” of many species there, led to Crisp’s current multi-disciplinary performance project DIRt (Dance IN Regional disaster zones), which is her creative response to and engagement with Australia’s extinction crisis. This interview is a part of the research project “Improvisation as a choreographic, authorial and creative principle”, which involves in-depth interviews, in-studio workshops with professional and student dance artists, multiple publications, and a forthcoming book of interviews and commentary in both Czech and English. The project explores the practices and methodologies of a series of international artists working in different ways with improvisational processes.

Název v anglickém jazyce

A dance practice of ‘choreographic improvisation’: interview with Rosalind Crisp

Popis výsledku anglicky

In this interview, Rosalind Crisp discusses the nature and evolution of her creative practice of choreographic improvisation; her teaching and performance practices; and her view of the broader implications of dance. Crisp describes how her work has evolved from questioning dance itself to addressing broader world issues. Returning to Australia from France, and facing the “vanishing” of many species there, led to Crisp’s current multi-disciplinary performance project DIRt (Dance IN Regional disaster zones), which is her creative response to and engagement with Australia’s extinction crisis. This interview is a part of the research project “Improvisation as a choreographic, authorial and creative principle”, which involves in-depth interviews, in-studio workshops with professional and student dance artists, multiple publications, and a forthcoming book of interviews and commentary in both Czech and English. The project explores the practices and methodologies of a series of international artists working in different ways with improvisational processes.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů