The S Word: Merging Methodologies

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F17%3AN0000052" target="_blank" >RIV/61384984:51210/17:N0000052 - isvavai.cz</a>

Výsledek na webu

<a href="http://theatrefutures.org.uk/thesword/" target="_blank" >http://theatrefutures.org.uk/thesword/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The S Word: Merging Methodologies

Popis výsledku v původním jazyce

The S Word: Merging Methodologies is a unique international research project, which explores the legacy of Konstantin Stanislavski in a contemporary context: how Stanislavski’s work and teaching has been adopted, adapted, developed and re-invented since his death in 1938. How did Stanislavski’s disciples use his approach to theatre, and how did they make it their own; how has this approach been translated into other methods and how much have we lost in translation; who carries the torch for Stanislavski today and why; how do other (newer) methodologies compare and how much do they owe to what has gone before. The event featured keynote addresses by the Stanislavski Centre’s Hon. Patron, Professor Anatoly Smeliansky (Moscow Art Theatre School/Harvard University) and Professor Jan Burian (General Director of the Czech National Theatre), and a wide variety of presentations and workshops from scholars and practitioners from the UK, USA, Canada, Czech Republic, Russia, France, Poland, Australia and Brazil.

Název v anglickém jazyce

The S Word: Merging Methodologies

Popis výsledku anglicky

The S Word: Merging Methodologies is a unique international research project, which explores the legacy of Konstantin Stanislavski in a contemporary context: how Stanislavski’s work and teaching has been adopted, adapted, developed and re-invented since his death in 1938. How did Stanislavski’s disciples use his approach to theatre, and how did they make it their own; how has this approach been translated into other methods and how much have we lost in translation; who carries the torch for Stanislavski today and why; how do other (newer) methodologies compare and how much do they owe to what has gone before. The event featured keynote addresses by the Stanislavski Centre’s Hon. Patron, Professor Anatoly Smeliansky (Moscow Art Theatre School/Harvard University) and Professor Jan Burian (General Director of the Czech National Theatre), and a wide variety of presentations and workshops from scholars and practitioners from the UK, USA, Canada, Czech Republic, Russia, France, Poland, Australia and Brazil.

Druh

M - Uspořádání konference

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

DAMU, Praha

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

70

Počet zahraničních účastníků

40

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce