Bertolt Brecht: Contradictions as a Method

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F19%3AN0000094" target="_blank" >RIV/61384984:51210/19:N0000094 - isvavai.cz</a>

Výsledek na webu

<a href="https://brechtinprague.amu.cz/" target="_blank" >https://brechtinprague.amu.cz/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Bertolt Brecht: Contradictions as a Method

Popis výsledku v původním jazyce

The symposium brought together scholars and theatre practitioners; explored Brecht‘s influence on the work of directors and acting teachers, and the relationship between Brecht and Stanislavsky; traced the influences on the approach to directing theatre in various countries and to playwriting and considered Brecht‘s politics and theatre as highly social art. A Comparison with Stanislavsky‘s approach to theatre training, the development of modern theatre directing, and dramatic, alternative and authorial theatre was also explored. Guest speakers, paper presentations, workshops and panel debates took place in three focus areas: Brecht, his legacy and modern theatre practice examined Bertolt Brecht’s influence in the fields of theatre directing, modern stagecraft, scenography and playwriting and his continuing impact on the modern theatre. Brecht, Stanislavski and the actor focused on comparison and aspects of actor training and the actor’s work as reflected in the Brechtian and Stanislavskian traditions. Brecht’s Theatre practice and criticism (historical and theoretical background and new research achievements).

Název v anglickém jazyce

Bertolt Brecht: Contradictions as a Method

Popis výsledku anglicky

The symposium brought together scholars and theatre practitioners; explored Brecht‘s influence on the work of directors and acting teachers, and the relationship between Brecht and Stanislavsky; traced the influences on the approach to directing theatre in various countries and to playwriting and considered Brecht‘s politics and theatre as highly social art. A Comparison with Stanislavsky‘s approach to theatre training, the development of modern theatre directing, and dramatic, alternative and authorial theatre was also explored. Guest speakers, paper presentations, workshops and panel debates took place in three focus areas: Brecht, his legacy and modern theatre practice examined Bertolt Brecht’s influence in the fields of theatre directing, modern stagecraft, scenography and playwriting and his continuing impact on the modern theatre. Brecht, Stanislavski and the actor focused on comparison and aspects of actor training and the actor’s work as reflected in the Brechtian and Stanislavskian traditions. Brecht’s Theatre practice and criticism (historical and theoretical background and new research achievements).

Druh

M - Uspořádání konference

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Praha

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

80

Počet zahraničních účastníků

60

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce