The Comic and the Political in the Czech Theatre After 1989

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F24%3AN0000113" target="_blank" >RIV/61384984:51210/24:N0000113 - isvavai.cz</a>

Výsledek na webu

<a href="https://journals.uni-lj.si/amfiteater/article/view/19531/16158" target="_blank" >https://journals.uni-lj.si/amfiteater/article/view/19531/16158</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.51937/Amfiteater-2024-1/76-110" target="_blank" >10.51937/Amfiteater-2024-1/76-110</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Comic and the Political in the Czech Theatre After 1989

Popis výsledku v původním jazyce

The paper examines interrelation between the political and the comic in the Czech theatre of the early 1990s. It identifies different approaches taken by proponents of various theatre generations to reflect upon the burning issues of the post-communist society during the first years of the social transition. The author argues that the position of performing the political in Czech theatres’ repertory was not as minor as often claimed. A number of theatre makers of the middle generation and the youngest “postmodern” generation did make attempts to critically comment on the status quo in their productions. One of them, the remarkable Petr Lébl’s Naši naši furianti (Our Our Swaggerers) production staged at the Theatre on the Balustrade in Prague in 1994 is analysed in detail.

Název v anglickém jazyce

The Comic and the Political in the Czech Theatre After 1989

Popis výsledku anglicky

The paper examines interrelation between the political and the comic in the Czech theatre of the early 1990s. It identifies different approaches taken by proponents of various theatre generations to reflect upon the burning issues of the post-communist society during the first years of the social transition. The author argues that the position of performing the political in Czech theatres’ repertory was not as minor as often claimed. A number of theatre makers of the middle generation and the youngest “postmodern” generation did make attempts to critically comment on the status quo in their productions. One of them, the remarkable Petr Lébl’s Naši naši furianti (Our Our Swaggerers) production staged at the Theatre on the Balustrade in Prague in 1994 is analysed in detail.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Amfiteater

ISSN

1855-4539

e-ISSN

1855-850X

Svazek periodika

12

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

SI - Slovinská republika

Počet stran výsledku

17

Strana od-do

94-110

Kód UT WoS článku

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EID výsledku v databázi Scopus

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