Self-experiencing in a specific form of acting improvisation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F25%3AN0000095" target="_blank" >RIV/61384984:51210/25:N0000095 - isvavai.cz</a>

Výsledek na webu

<a href="https://hdl.handle.net/11222.digilib/digilib.82046" target="_blank" >https://hdl.handle.net/11222.digilib/digilib.82046</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/TY2025-1-3" target="_blank" >10.5817/TY2025-1-3</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Self-experiencing in a specific form of acting improvisation

Popis výsledku v původním jazyce

The improvising actor may experience a range of feelings that may not relate to the content of their improvisation or the themes that emerge during improvisation. Some of these feelings are even considered negative, yet they can be a positive and activating impetus for the development of play. Using the example of a specific variant of acting improvisation, which is practised from ‘point zero’, the article demonstrates the influence that these feelings have on inducing the creative state of the actor. For my analysis, I will make use of, among other sources, students’ written reflections of the practice of the psychosomatic discipline of Dialogical Acting with the Inner Partner, which was founded by Czech actor, director, psychologist, and acting teacher Ivan Vyskočil. I will primarily focus on the feelings of embarrassment, awkwardness, boredom, amazement, wonder, and joy in play. // MUSILOVÁ, Martina. Self-experiencing in a specific form of acting improvisation. Theatralia. Brno: Masaryk University, 2025, roč. 28, č. 1, s. 39-62, 25 s. ISSN 1803-845X.

Název v anglickém jazyce

Self-experiencing in a specific form of acting improvisation

Popis výsledku anglicky

The improvising actor may experience a range of feelings that may not relate to the content of their improvisation or the themes that emerge during improvisation. Some of these feelings are even considered negative, yet they can be a positive and activating impetus for the development of play. Using the example of a specific variant of acting improvisation, which is practised from ‘point zero’, the article demonstrates the influence that these feelings have on inducing the creative state of the actor. For my analysis, I will make use of, among other sources, students’ written reflections of the practice of the psychosomatic discipline of Dialogical Acting with the Inner Partner, which was founded by Czech actor, director, psychologist, and acting teacher Ivan Vyskočil. I will primarily focus on the feelings of embarrassment, awkwardness, boredom, amazement, wonder, and joy in play. // MUSILOVÁ, Martina. Self-experiencing in a specific form of acting improvisation. Theatralia. Brno: Masaryk University, 2025, roč. 28, č. 1, s. 39-62, 25 s. ISSN 1803-845X.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Theatralia

ISSN

1803-845X

e-ISSN

—

Svazek periodika

28

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

25

Strana od-do

39-62

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105007463529