We Are Public Space: Bodies and Minds in Post-pandemic Cities

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F23%3AN0000168" target="_blank" >RIV/61384984:51310/23:N0000168 - isvavai.cz</a>

Výsledek na webu

<a href="https://jar-online.net/en/exposition/abstract/we-are-public-space-bodies-and-minds-post-pandemic-cities" target="_blank" >https://jar-online.net/en/exposition/abstract/we-are-public-space-bodies-and-minds-post-pandemic-cities</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.22501/jar.1401080" target="_blank" >10.22501/jar.1401080</a>

Jazyk výsledku

angličtina

Název v původním jazyce

We Are Public Space: Bodies and Minds in Post-pandemic Cities

Popis výsledku v původním jazyce

The project aims to pay heightened attention to public spaces in cities on several levels. The first follows the trend of newly developed privately owned public spaces (known as POPS), which establish a precedent for how corporations and cities define public space and what they prioritize within it. A clear focus on people as consumers – rather than citizens – have several effects, including strict restrictions, the creation of societies of control (Deleuze 1992: 3), and various forms of often indirect exclusion of certain groups of inhabitants. The second level attempts to accentuate subjective experiences focused on our bodies and making them consciously present in relation to public space. Both layers are a significant component of the performative lecture walks, on the basis of which I introduce the results of interactions with the respondents in my case studies. Finally, I shall describe what cities looked like during the pandemic and consider whether these scenes might be a model for the future. Are we to expect further experiences of empty cities?

Název v anglickém jazyce

We Are Public Space: Bodies and Minds in Post-pandemic Cities

Popis výsledku anglicky

The project aims to pay heightened attention to public spaces in cities on several levels. The first follows the trend of newly developed privately owned public spaces (known as POPS), which establish a precedent for how corporations and cities define public space and what they prioritize within it. A clear focus on people as consumers – rather than citizens – have several effects, including strict restrictions, the creation of societies of control (Deleuze 1992: 3), and various forms of often indirect exclusion of certain groups of inhabitants. The second level attempts to accentuate subjective experiences focused on our bodies and making them consciously present in relation to public space. Both layers are a significant component of the performative lecture walks, on the basis of which I introduce the results of interactions with the respondents in my case studies. Finally, I shall describe what cities looked like during the pandemic and consider whether these scenes might be a model for the future. Are we to expect further experiences of empty cities?

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal for Artistic Research

ISSN

2235-0225

e-ISSN

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Svazek periodika

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Číslo periodika v rámci svazku

30

Stát vydavatele periodika

CH - Švýcarská konfederace

Počet stran výsledku

4

Strana od-do

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Kód UT WoS článku

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EID výsledku v databázi Scopus

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