Laboring Images / Images of Labor

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F23%3AN0000171" target="_blank" >RIV/61384984:51310/23:N0000171 - isvavai.cz</a>

Výsledek na webu

<a href="https://operationalimages.cz/2023/09/19/laboring-images-images-of-labor-international-conference/" target="_blank" >https://operationalimages.cz/2023/09/19/laboring-images-images-of-labor-international-conference/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Laboring Images / Images of Labor

Popis výsledku v původním jazyce

Harun Farocki is known for coining the term “operational images”, images which take part in technical operations. Importantly, operational images are images that labor, they are literally working images, fulfilling a task within an operation. For Farocki, operational images take part in automation of vision labor: the eye labor of technicians seated in control rooms, surveillance centers, and military training facilities, monitoring automated systems, is replaced by automated systems that monitor or analyze data. Suchautomated image systems have become ubiquitous. And yet, it seems that automation of vision has increased the demand for the labor of human vision. In fact, machine learning systems demand millions of tagger’s and annotators’ eyes looking at images, their retinas becoming indispensable elements in the human-machine interface. This particular human vision labor is machine-like, dull, repetitive, the kind of work about which it is assumed that it can be, will be or even should be soon replaced by technology, a pointless job. What is the relationship between labor of vision embedded in machine-human systems, disciplined to be as efficient and productive as possible, and artistic, aesthetic vision? What are the histories of labor of vision and seeing that are part of technical processes? What kind of artistic strategies tackle the current, invisibilized and marginalized vision labor behind machine learning algorithms? How can we continue Farocki’s legacy that problematized the ideological invisibility of labor (image-making labor in particular)? What critical theories grasp the situatedness of humans who perform this sort of labor; in other words in what ways is this labor gendered, classed, and located in peripheries?

Název v anglickém jazyce

Laboring Images / Images of Labor

Popis výsledku anglicky

Harun Farocki is known for coining the term “operational images”, images which take part in technical operations. Importantly, operational images are images that labor, they are literally working images, fulfilling a task within an operation. For Farocki, operational images take part in automation of vision labor: the eye labor of technicians seated in control rooms, surveillance centers, and military training facilities, monitoring automated systems, is replaced by automated systems that monitor or analyze data. Suchautomated image systems have become ubiquitous. And yet, it seems that automation of vision has increased the demand for the labor of human vision. In fact, machine learning systems demand millions of tagger’s and annotators’ eyes looking at images, their retinas becoming indispensable elements in the human-machine interface. This particular human vision labor is machine-like, dull, repetitive, the kind of work about which it is assumed that it can be, will be or even should be soon replaced by technology, a pointless job. What is the relationship between labor of vision embedded in machine-human systems, disciplined to be as efficient and productive as possible, and artistic, aesthetic vision? What are the histories of labor of vision and seeing that are part of technical processes? What kind of artistic strategies tackle the current, invisibilized and marginalized vision labor behind machine learning algorithms? How can we continue Farocki’s legacy that problematized the ideological invisibility of labor (image-making labor in particular)? What critical theories grasp the situatedness of humans who perform this sort of labor; in other words in what ways is this labor gendered, classed, and located in peripheries?

Druh

M - Uspořádání konference

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GX19-26865X" target="_blank" >GX19-26865X: Operativní obrazy a vizuální kultura: mediálně-archeologická zkoumání</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Praha

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

60

Počet zahraničních účastníků

30

Typ akce podle státní přísl. účastníků

EUR - Evropská akce