How are Comics Studies using Film Studies findings

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F24%3AN0000080" target="_blank" >RIV/61384984:51310/24:N0000080 - isvavai.cz</a>

Výsledek na webu

<a href="https://prezi.com/view/sZTmcReSiwCQyVF8HRSP/" target="_blank" >https://prezi.com/view/sZTmcReSiwCQyVF8HRSP/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

How are Comics Studies using Film Studies findings

Popis výsledku v původním jazyce

There has been a long-time discussion about the relationship between the 7th and 9th arts, that is, film and comics. There are countless attempts to explore how film language influenced the language of comics (see basically anything in our bibliography), but also attempts to trace how comics might have influenced film. It is almost impossible to open a scholarly book about comics without running into words like “film,” “cinema,” “movie,” etc. But are those attempts justified enough? Is this discussion always relevant? Does it bring an advantage to either of these two arts? Do we correctly understand the differences and similarities between them? Let‘s look at those discussions a little deeper and focus on the work of Thierry Groensteen, a prominent comics scholar. • Popis výsledku v původním jazyce výsledku (min. 64 znaků): • There has been a long-time discussion about the relationship between the 7th and 9th arts, that is, film and comics. There are countless attempts to explore how film language influenced the language of comics (see basically anything in our bibliography), but also attempts to trace how comics might have influenced film. It is almost impossible to open a scholarly book about comics without running into words like “film,” “cinema,” “movie,” etc. But are those attempts justified enough? Is this discussion always relevant? Does it bring an advantage to either of these two arts? Do we correctly understand the differences and similarities between them? Let‘s look at those discussions a little deeper and focus on the work of Thierry Groensteen, a prominent comics scholar.

Název v anglickém jazyce

How are Comics Studies using Film Studies findings

Popis výsledku anglicky

There has been a long-time discussion about the relationship between the 7th and 9th arts, that is, film and comics. There are countless attempts to explore how film language influenced the language of comics (see basically anything in our bibliography), but also attempts to trace how comics might have influenced film. It is almost impossible to open a scholarly book about comics without running into words like “film,” “cinema,” “movie,” etc. But are those attempts justified enough? Is this discussion always relevant? Does it bring an advantage to either of these two arts? Do we correctly understand the differences and similarities between them? Let‘s look at those discussions a little deeper and focus on the work of Thierry Groensteen, a prominent comics scholar. • Popis výsledku v původním jazyce výsledku (min. 64 znaků): • There has been a long-time discussion about the relationship between the 7th and 9th arts, that is, film and comics. There are countless attempts to explore how film language influenced the language of comics (see basically anything in our bibliography), but also attempts to trace how comics might have influenced film. It is almost impossible to open a scholarly book about comics without running into words like “film,” “cinema,” “movie,” etc. But are those attempts justified enough? Is this discussion always relevant? Does it bring an advantage to either of these two arts? Do we correctly understand the differences and similarities between them? Let‘s look at those discussions a little deeper and focus on the work of Thierry Groensteen, a prominent comics scholar.

Druh

W - Uspořádání workshopu

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Praha

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

3

Počet zahraničních účastníků

3

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce