Akustické koreláty hlavních složek percepce barvy zvuku houslí

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A_____%2F05%3A%230000030" target="_blank" >RIV/61384984:_____/05:#0000030 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Acoustical correlates of the main features of violin timbre perception

Popis výsledku v původním jazyce

An experimental approach to the study of timbre is described. Series of listening tests were performed separately with recordings of violin tones B3, F#4, C5, G5 and D6, played on various quality violins. Two main approaches to the discovering of acoustical correlates of most important perceptual features are described. The first approach is directly focused on interpretation of perceptual spaces using acoustic characteristics. The second one uses selected verbal attributes used by listeners to the description of timbre differences and tries to found their explanation using acoustic characteristics. Method of immersion of acoustic characteristic into perceptual space revealed the importance of the first harmonic, higher harmonics and spectral centre ofgravity in all studied tones. The change of their relations (similarity, contradiction, or independence) with changing pitch is also discussed.

Název v anglickém jazyce

Acoustical correlates of the main features of violin timbre perception

Popis výsledku anglicky

An experimental approach to the study of timbre is described. Series of listening tests were performed separately with recordings of violin tones B3, F#4, C5, G5 and D6, played on various quality violins. Two main approaches to the discovering of acoustical correlates of most important perceptual features are described. The first approach is directly focused on interpretation of perceptual spaces using acoustic characteristics. The second one uses selected verbal attributes used by listeners to the description of timbre differences and tries to found their explanation using acoustic characteristics. Method of immersion of acoustic characteristic into perceptual space revealed the importance of the first harmonic, higher harmonics and spectral centre ofgravity in all studied tones. The change of their relations (similarity, contradiction, or independence) with changing pitch is also discussed.

Druh

A - Audiovizuální tvorba

CEP obor

BI - Akustika a kmity

OECD FORD obor

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Projekt

<a href="/cs/project/1M0531" target="_blank" >1M0531: Výzkumné centrum hudební akustiky</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2005

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

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Místo vydání

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Název nakladatele resp. objednatele

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Verze

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Identifikační číslo nosiče

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