Early Renaissance altarpieces in Transylvania: materials and technological characteristics

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61388980%3A_____%2F13%3A00426560" target="_blank" >RIV/61388980:_____/13:00426560 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/60461446:52810/13:#0000135 RIV/60461446:52810/13:#0000153

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Early Renaissance altarpieces in Transylvania: materials and technological characteristics

Popis výsledku v původním jazyce

This contribution focuses on the identification of the materials and technological characteristics of painting workshops active in Transylvania in the first decades of the sixteenth century. The first group of workshops considered was located in Sighişoara, one of which is known to have been run by Johannes Stoss. The altarpieces in the second group are attributed to the workshop of Vincentius, a painter in Sibiu, who signed and dated several altarpieces and one fresco painting still preserved in the region. Extensive research carried out during the past five years has brought to light important new evidence regarding particular features and similarities in the preparatory layers, gilding techniques and paint application. Complementary analytical methods and close visual examination were used to identify the structure and the composition of the grounds, poliments and precious metals on the painted panels. The results point to technological features common to the workshops, such as red

Název v anglickém jazyce

Early Renaissance altarpieces in Transylvania: materials and technological characteristics

Popis výsledku anglicky

This contribution focuses on the identification of the materials and technological characteristics of painting workshops active in Transylvania in the first decades of the sixteenth century. The first group of workshops considered was located in Sighişoara, one of which is known to have been run by Johannes Stoss. The altarpieces in the second group are attributed to the workshop of Vincentius, a painter in Sibiu, who signed and dated several altarpieces and one fresco painting still preserved in the region. Extensive research carried out during the past five years has brought to light important new evidence regarding particular features and similarities in the preparatory layers, gilding techniques and paint application. Complementary analytical methods and close visual examination were used to identify the structure and the composition of the grounds, poliments and precious metals on the painted panels. The results point to technological features common to the workshops, such as red

Druh

C - Kapitola v odborné knize

CEP obor

CA - Anorganická chemie

OECD FORD obor

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Projekt

<a href="/cs/project/DF12P01OVV048" target="_blank" >DF12P01OVV048: Nová mobilní zařízení, laboratoř a metodika pro nedestruktivní materiálovou analýzu výtvarného umění v kontextu ochrany kulturního dědictví</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Renaissance Workshop

ISBN

978-1-904982-93-7

Počet stran výsledku

11

Strana od-do

60-70

Počet stran knihy

199

Název nakladatele

Archetype Publications Ltd.</

Místo vydání

London

Kód UT WoS kapitoly

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