Fluorine Etching in Cracow, Warszaw and Vilnius, 1901–20

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17250%2F19%3AA20024E5" target="_blank" >RIV/61988987:17250/19:A20024E5 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.printquarterly.com/8-contents/67-contents-2019.html" target="_blank" >http://www.printquarterly.com/8-contents/67-contents-2019.html</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Fluorine Etching in Cracow, Warszaw and Vilnius, 1901–20

Popis výsledku v původním jazyce

At the beginning of 20 century Polish artist discovered new artistic technics, for example fluorine etching. The technic was developed by famous painter, graphiker, and drama writer Stanisław Wyspiański, who made many compositions, exhibited in Cracow. In this article autor presents history of Polish modern print, and artistic school in Warsaw, where Ferdniannd Ruszczyc, Polish-Lithuanian painter and graphiker, inspired other artists to experiment. As a professor of Academy of Fine Art in Warsaw he offered to publish a portfolio with twelve fluorine etchings by his students. Another artist fascinated by the new technique was Mikolajus Kinstantinas Ciurlionis, Lithuanian compositor, painter and graphiker. He collaborated with Poles and traveled often from Vilnius to Warsaw. In the article there are a lot of new material about Polish-Lithuanian artistic live in modern era.

Název v anglickém jazyce

Fluorine Etching in Cracow, Warszaw and Vilnius, 1901–20

Popis výsledku anglicky

At the beginning of 20 century Polish artist discovered new artistic technics, for example fluorine etching. The technic was developed by famous painter, graphiker, and drama writer Stanisław Wyspiański, who made many compositions, exhibited in Cracow. In this article autor presents history of Polish modern print, and artistic school in Warsaw, where Ferdniannd Ruszczyc, Polish-Lithuanian painter and graphiker, inspired other artists to experiment. As a professor of Academy of Fine Art in Warsaw he offered to publish a portfolio with twelve fluorine etchings by his students. Another artist fascinated by the new technique was Mikolajus Kinstantinas Ciurlionis, Lithuanian compositor, painter and graphiker. He collaborated with Poles and traveled often from Vilnius to Warsaw. In the article there are a lot of new material about Polish-Lithuanian artistic live in modern era.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

PRINT QUARTERLY

ISSN

0265-8305

e-ISSN

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Svazek periodika

36

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

7

Strana od-do

162-168

Kód UT WoS článku

000468717300006

EID výsledku v databázi Scopus

2-s2.0-85070588446