Let the Timid Speak: The Woman/Nature Metaphor in Zora Neale Hurston’s “Sweat”

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17250%2F23%3AA2402MZH" target="_blank" >RIV/61988987:17250/23:A2402MZH - isvavai.cz</a>

Výsledek na webu

<a href="https://absa.upce.cz/index.php/absa/article/view/2494" target="_blank" >https://absa.upce.cz/index.php/absa/article/view/2494</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.46585/absa.2023.16.2494" target="_blank" >10.46585/absa.2023.16.2494</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Let the Timid Speak: The Woman/Nature Metaphor in Zora Neale Hurston’s “Sweat”

Popis výsledku v původním jazyce

This article explores Zora Neale Hurston’s short story “Sweat” (1926) from an ecofeminist perspective. When it comes to the role of nature in Hurston’s writing, ecocritical as well as feminist discussions often romanticize the role of nature in the lives of Hurston’s characters. Hurston’s short story “Sweat,” however, has generally been overlooked by ecocritics and ecofeminists, despite the fact that the story’s female protagonist Delia is repeatedly linked with nature or animals in the text. The aim of this paper is thus to examine the manner in which the main character Delia as well as her abusive husband Sykes are associated with nature, including animals, in order to critically assess the abuse Delia is subjected to. Particular attention is then devoted to three main parts of the story: Delia’s connection to her pony, the village men’s conversations and their subsequent comparison of Delia to sugar cane as well as Hurston’s reenactment of the fall from the Garden of Eden. Throughout the analysis, the focus is on the presence of dehumanization related to animalization or naturalization as well as on Hurston’s depiction of the dualistic character of the metaphors woman/nature and woman/animal along with the impact such associations have on Hurston’s characters.

Název v anglickém jazyce

Let the Timid Speak: The Woman/Nature Metaphor in Zora Neale Hurston’s “Sweat”

Popis výsledku anglicky

This article explores Zora Neale Hurston’s short story “Sweat” (1926) from an ecofeminist perspective. When it comes to the role of nature in Hurston’s writing, ecocritical as well as feminist discussions often romanticize the role of nature in the lives of Hurston’s characters. Hurston’s short story “Sweat,” however, has generally been overlooked by ecocritics and ecofeminists, despite the fact that the story’s female protagonist Delia is repeatedly linked with nature or animals in the text. The aim of this paper is thus to examine the manner in which the main character Delia as well as her abusive husband Sykes are associated with nature, including animals, in order to critically assess the abuse Delia is subjected to. Particular attention is then devoted to three main parts of the story: Delia’s connection to her pony, the village men’s conversations and their subsequent comparison of Delia to sugar cane as well as Hurston’s reenactment of the fall from the Garden of Eden. Throughout the analysis, the focus is on the presence of dehumanization related to animalization or naturalization as well as on Hurston’s depiction of the dualistic character of the metaphors woman/nature and woman/animal along with the impact such associations have on Hurston’s characters.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60204 - General literature studies

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

American & British Studies Annual

ISSN

18036058

e-ISSN

—

Svazek periodika

—

Číslo periodika v rámci svazku

2023-12-05

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

13

Strana od-do

9-22

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85179327371