Repetition as a principle of mythological thinking and music of the twentieth century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F17%3AA1801S0N" target="_blank" >RIV/61988987:17450/17:A1801S0N - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.5817/MB2017-2-14" target="_blank" >http://dx.doi.org/10.5817/MB2017-2-14</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2017-2-14" target="_blank" >10.5817/MB2017-2-14</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Repetition as a principle of mythological thinking and music of the twentieth century

Popis výsledku v původním jazyce

Art of the 20th century is characterized by the rise of the mythical thought and transformation of the myth into an artistic creativity. In music we can encounter manifestations of conscious and unconscious neo-mythologism in various forms. The methodological foundations of our text are concepts by Claude Lévi-Strauss, Carl Gustav Jung, Gilles Deleuze or Victoria Adamen-ko. The text focuses on the basic identification of the repetition as a mythological sign and its manifestation in the music of the 20th century (Arnold Schoenberg, George Crumb, minimal music etc.). Constitutive principle of repetition in music is connected with categories such as musical space and time, contrast, difference, musical thought.

Název v anglickém jazyce

Repetition as a principle of mythological thinking and music of the twentieth century

Popis výsledku anglicky

Art of the 20th century is characterized by the rise of the mythical thought and transformation of the myth into an artistic creativity. In music we can encounter manifestations of conscious and unconscious neo-mythologism in various forms. The methodological foundations of our text are concepts by Claude Lévi-Strauss, Carl Gustav Jung, Gilles Deleuze or Victoria Adamen-ko. The text focuses on the basic identification of the repetition as a mythological sign and its manifestation in the music of the 20th century (Arnold Schoenberg, George Crumb, minimal music etc.). Constitutive principle of repetition in music is connected with categories such as musical space and time, contrast, difference, musical thought.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia

ISSN

1212-0391

e-ISSN

—

Svazek periodika

52

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

11

Strana od-do

157-167

Kód UT WoS článku

000423872900014

EID výsledku v databázi Scopus

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