Transmedia principles in impressionism spanning painting, music and literature

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F21%3AA2202A22" target="_blank" >RIV/61988987:17450/21:A2202A22 - isvavai.cz</a>

Výsledek na webu

<a href="https://link.springer.com/article/10.1007%2Fs11059-020-00558-7" target="_blank" >https://link.springer.com/article/10.1007%2Fs11059-020-00558-7</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/s11059-020-00558-7" target="_blank" >10.1007/s11059-020-00558-7</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Transmedia principles in impressionism spanning painting, music and literature

Popis výsledku v původním jazyce

This article explores transmedia principles in impressionism spanning painting, music and literature. The introduction focuses on concepts with the suffix -ism in scholarly communication (especially in literary theory and the general theory of art). Applying the concept of intermediality, it is possible to explore the intersection of all three above-listed arts and to identify, name and systematize stable principles which universally characterize impressionism. Theoreticians of intermediality (I. Rajewsky, W. Wolf) characterize these principles as non-media-specific and migrating, indicating that a particular aesthetic may be applied in different arts. The principles identified in this paper (hic et nunc, transposition, three-dimensionality and imagination, the two-stage reception of impressionist works, equivalent principles in techniques for expressing colour and light, similar genres and themes, and a shared goal–the optical integrity of the world) indicate that impressionism takes a unified noetic approach to reality, and thus these principles can be characterized as transmedia principles. Paradoxically, thanks to these principles, we are aware of the specificity of each of the arts as a distinctive system of signs. Parallel or equivalent structures can thus occur in different arts, accentuating either the visual aspect (painting), the auditive aspect (music), or a combination of both aspects (literature).

Název v anglickém jazyce

Transmedia principles in impressionism spanning painting, music and literature

Popis výsledku anglicky

This article explores transmedia principles in impressionism spanning painting, music and literature. The introduction focuses on concepts with the suffix -ism in scholarly communication (especially in literary theory and the general theory of art). Applying the concept of intermediality, it is possible to explore the intersection of all three above-listed arts and to identify, name and systematize stable principles which universally characterize impressionism. Theoreticians of intermediality (I. Rajewsky, W. Wolf) characterize these principles as non-media-specific and migrating, indicating that a particular aesthetic may be applied in different arts. The principles identified in this paper (hic et nunc, transposition, three-dimensionality and imagination, the two-stage reception of impressionist works, equivalent principles in techniques for expressing colour and light, similar genres and themes, and a shared goal–the optical integrity of the world) indicate that impressionism takes a unified noetic approach to reality, and thus these principles can be characterized as transmedia principles. Paradoxically, thanks to these principles, we are aware of the specificity of each of the arts as a distinctive system of signs. Parallel or equivalent structures can thus occur in different arts, accentuating either the visual aspect (painting), the auditive aspect (music), or a combination of both aspects (literature).

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60204 - General literature studies

Projekt

—

Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Neohelicon (Acta comparationis litterarum universarum)

ISSN

0324-4652

e-ISSN

1588-2810

Svazek periodika

48

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

HU - Maďarsko

Počet stran výsledku

13

Strana od-do

299-312

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85074026532