There Is Nothing Like Women’s Art. Work, Positions and Emancipation of Female Artists in Czechoslovakia during the Normalisation Period

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17500%2F21%3AA2302ENA" target="_blank" >RIV/61988987:17500/21:A2302ENA - isvavai.cz</a>

Výsledek na webu

<a href="http://miejsce.asp.waw.pl/en/there-is-nothing-like-womens-art-work-positions-and-emancipation-of-female-artists-in-czechoslovakia-during-the-normalisation-period/" target="_blank" >http://miejsce.asp.waw.pl/en/there-is-nothing-like-womens-art-work-positions-and-emancipation-of-female-artists-in-czechoslovakia-during-the-normalisation-period/</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.48285/ASPWAW.24501611.MCE.2021.7.4" target="_blank" >10.48285/ASPWAW.24501611.MCE.2021.7.4</a>

Jazyk výsledku

angličtina

Název v původním jazyce

There Is Nothing Like Women’s Art. Work, Positions and Emancipation of Female Artists in Czechoslovakia during the Normalisation Period

Popis výsledku v původním jazyce

The paper examines the term “women’s art” and its connotations in the Czechoslovak art scene during socialism. Focusing on the artistic and social milieu of that time, it will try to find out why there were such negative feelings about feminist ideas among female artists of the region, and how the artists perceived their positions and opportunities. Comparing the work of important artists (such as Běla Kolářová, Adriena Šimotová, Eva Kmentová, Naďa Plíšková and Zorka Ságlová), it will show significant features of their approach and artistic methods, questioning whether there are any similarities or common features that can be interpreted in the context of specific female experience.

Název v anglickém jazyce

There Is Nothing Like Women’s Art. Work, Positions and Emancipation of Female Artists in Czechoslovakia during the Normalisation Period

Popis výsledku anglicky

The paper examines the term “women’s art” and its connotations in the Czechoslovak art scene during socialism. Focusing on the artistic and social milieu of that time, it will try to find out why there were such negative feelings about feminist ideas among female artists of the region, and how the artists perceived their positions and opportunities. Comparing the work of important artists (such as Běla Kolářová, Adriena Šimotová, Eva Kmentová, Naďa Plíšková and Zorka Ságlová), it will show significant features of their approach and artistic methods, questioning whether there are any similarities or common features that can be interpreted in the context of specific female experience.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Miejsce

ISSN

2450-1611

e-ISSN

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Svazek periodika

—

Číslo periodika v rámci svazku

7

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

13

Strana od-do

1-13

Kód UT WoS článku

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EID výsledku v databázi Scopus

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