The Spreading of the Enlightenment on the Stage of the German Municipal Theatre in Brno

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F12%3A33144819" target="_blank" >RIV/61989592:15210/12:33144819 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

The Spreading of the Enlightenment on the Stage of the German Municipal Theatre in Brno

Popis výsledku v původním jazyce

The City of Brno was the owner of the municipal theatre since 1733, thus the Enlightenment reforms were adopted quite early. Nearby city of Wien ? the cultural centre of the monarchy ? influenced this process considerably. Since the 50s of the 18th century, the theatrical companies performing in German and coming to Brno tried to adapt their repertoire to the new aesthetic requirements. Their repertoire included dramatic plays written mostly by German or French playwrights. Some of the Italian impresarios played crucial role in the process of assertion of the new type of repertoire. They offered the audience in Brno ? apart from various music genres ? comedies written by Carlo Goldoni. Since the beginning of the 70s, the Enlightenment repertoire becamea part of the dramaturgical programme of some of the theatre directors and was observed in the German municipal theatre in Brno for more than two following decades.

Název v anglickém jazyce

The Spreading of the Enlightenment on the Stage of the German Municipal Theatre in Brno

Popis výsledku anglicky

The City of Brno was the owner of the municipal theatre since 1733, thus the Enlightenment reforms were adopted quite early. Nearby city of Wien ? the cultural centre of the monarchy ? influenced this process considerably. Since the 50s of the 18th century, the theatrical companies performing in German and coming to Brno tried to adapt their repertoire to the new aesthetic requirements. Their repertoire included dramatic plays written mostly by German or French playwrights. Some of the Italian impresarios played crucial role in the process of assertion of the new type of repertoire. They offered the audience in Brno ? apart from various music genres ? comedies written by Carlo Goldoni. Since the beginning of the 70s, the Enlightenment repertoire becamea part of the dramaturgical programme of some of the theatre directors and was observed in the German municipal theatre in Brno for more than two following decades.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

—

Projekt

—

Návaznosti

Z - Vyzkumny zamer (s odkazem do CEZ)

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Czech and Slovak Journal of Humanitites

ISSN

1805-3742

e-ISSN

—

Svazek periodika

2012

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

7

Strana od-do

6-12

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—