Valtice Palace Theatre and Bourgeois Drama at the End of the 18th Century: Contexts and Intersections

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F15%3A33158170" target="_blank" >RIV/61989592:15210/15:33158170 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Valtice Palace Theatre and Bourgeois Drama at the End of the 18th Century: Contexts and Intersections

Popis výsledku v původním jazyce

A palace theatre operated in the South Moravian town of Valtice supported by its owners, the Liechtenstein family, over the years 1790-1805. An exploration of the primary sources concerning this distinguished aristocratic stage scene has revealed that due to the socio-cultural background of the time the aristocratic stage also went through major changes. The image of the Valtice theatre of the late 18th century gradually developed from the Baroque tradition of renting theatres to individual troupes to creating their own troupe and having a year-round theatre repertoire. The aristocracy naturally embraced the bourgeois theatre management model and the requirements of the day. The crucial influence of the bourgeois theatre is reflected in the repertoirewhich is the focus of this study. This analysis of never-before-studied manuscripts presents what kind of plays and genres (originally bourgeois drama) were the favourite pastime for the aristocracy of the Valtice Palace Theatre during th

Název v anglickém jazyce

Valtice Palace Theatre and Bourgeois Drama at the End of the 18th Century: Contexts and Intersections

Popis výsledku anglicky

A palace theatre operated in the South Moravian town of Valtice supported by its owners, the Liechtenstein family, over the years 1790-1805. An exploration of the primary sources concerning this distinguished aristocratic stage scene has revealed that due to the socio-cultural background of the time the aristocratic stage also went through major changes. The image of the Valtice theatre of the late 18th century gradually developed from the Baroque tradition of renting theatres to individual troupes to creating their own troupe and having a year-round theatre repertoire. The aristocracy naturally embraced the bourgeois theatre management model and the requirements of the day. The crucial influence of the bourgeois theatre is reflected in the repertoirewhich is the focus of this study. This analysis of never-before-studied manuscripts presents what kind of plays and genres (originally bourgeois drama) were the favourite pastime for the aristocracy of the Valtice Palace Theatre during th

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

—

Projekt

<a href="/cs/project/EE2.3.30.0004" target="_blank" >EE2.3.30.0004: Podpora vytváření excelentních výzkumných týmů a intersektorální mobility na Univerzitě Palackého v Olomouci</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Czech and Slovak Journal of Humanities

ISSN

1805-3742

e-ISSN

—

Svazek periodika

2015

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

14

Strana od-do

6-19

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—