Czechoslovak screenwriting discourse and cultural transfer between 1948 and 1954: The influence of Soviet manuals

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F16%3A33159653" target="_blank" >RIV/61989592:15210/16:33159653 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1386/josc.7.3.351_1" target="_blank" >http://dx.doi.org/10.1386/josc.7.3.351_1</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1386/josc.7.3.351_1" target="_blank" >10.1386/josc.7.3.351_1</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Czechoslovak screenwriting discourse and cultural transfer between 1948 and 1954: The influence of Soviet manuals

Popis výsledku v původním jazyce

The subject of this article is the screenwriting discourse in Czechoslovakia from 1948 to 1954. In a small national film industry like the one in Czechoslovakia, there were always significant influences of bigger film industries (e.g., United States, Germany, USSR). After World War II, the USSR inspiration became dominant and many Soviet production and screenwriting manuals were translated into Czech. I will explore how the cultural transfer changed the screenwriting discourse in Czechoslovakia, first in a historical perspective and then through an analysis of the following topics: frameworks of screenwriting discourse; screenplay development; authorship; and screenwriting organization. The methodology of screenwriting discourse analyses will be used to explore how Soviet manuals transformed screenwriting discourse after the nationalization of the Czechoslovak film industry in 1945.

Název v anglickém jazyce

Czechoslovak screenwriting discourse and cultural transfer between 1948 and 1954: The influence of Soviet manuals

Popis výsledku anglicky

The subject of this article is the screenwriting discourse in Czechoslovakia from 1948 to 1954. In a small national film industry like the one in Czechoslovakia, there were always significant influences of bigger film industries (e.g., United States, Germany, USSR). After World War II, the USSR inspiration became dominant and many Soviet production and screenwriting manuals were translated into Czech. I will explore how the cultural transfer changed the screenwriting discourse in Czechoslovakia, first in a historical perspective and then through an analysis of the following topics: frameworks of screenwriting discourse; screenplay development; authorship; and screenwriting organization. The methodology of screenwriting discourse analyses will be used to explore how Soviet manuals transformed screenwriting discourse after the nationalization of the Czechoslovak film industry in 1945.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

—

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Screenwriting

ISSN

1759-7137

e-ISSN

—

Svazek periodika

7

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

20

Strana od-do

351-370

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—