From Mersmann to Lewin: Toward a Conceptual Shift Within the Phenomenological Analysis of Music

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F16%3A33162030" target="_blank" >RIV/61989592:15210/16:33162030 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

From Mersmann to Lewin: Toward a Conceptual Shift Within the Phenomenological Analysis of Music

Popis výsledku v původním jazyce

Hans Mersmann presented his conception of musical structure in the 1920s and developed it mainly as a system of form types describing the classical music repertoire. In addition to this he formulated a set of procedures to be used in the analysis of music. However, with the withdrawal of tonality in twentieth-century music the significance of his framework for music analysis lessened. But even within the context of tonal music his approach has not become widely applied. On the contrary, David Lewin's model, developed within phenomenological reasoning sixty years later, despite being a model of musical perception, has turned into an influential theoretical stance with appealing analytical potential. The present paper discusses both approaches against the background of musical temporality and compares their explicative power while considering the advantages of Lewin's model.

Název v anglickém jazyce

From Mersmann to Lewin: Toward a Conceptual Shift Within the Phenomenological Analysis of Music

Popis výsledku anglicky

Hans Mersmann presented his conception of musical structure in the 1920s and developed it mainly as a system of form types describing the classical music repertoire. In addition to this he formulated a set of procedures to be used in the analysis of music. However, with the withdrawal of tonality in twentieth-century music the significance of his framework for music analysis lessened. But even within the context of tonal music his approach has not become widely applied. On the contrary, David Lewin's model, developed within phenomenological reasoning sixty years later, despite being a model of musical perception, has turned into an influential theoretical stance with appealing analytical potential. The present paper discusses both approaches against the background of musical temporality and compares their explicative power while considering the advantages of Lewin's model.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Olomucensia

ISSN

1212-1193

e-ISSN

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Svazek periodika

24

Číslo periodika v rámci svazku

December 2016

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

11

Strana od-do

101-111

Kód UT WoS článku

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EID výsledku v databázi Scopus

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