The „Slavic Spirit“ and the Opera Scene in Olomouc, 1830–1920

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F17%3A73591256" target="_blank" >RIV/61989592:15210/17:73591256 - isvavai.cz</a>

Výsledek na webu

<a href="https://akademiai.com/doi/pdf/10.1556/6.2017.58.3-4.4" target="_blank" >https://akademiai.com/doi/pdf/10.1556/6.2017.58.3-4.4</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1556/6.2017.58.3-4.4" target="_blank" >10.1556/6.2017.58.3-4.4</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The „Slavic Spirit“ and the Opera Scene in Olomouc, 1830–1920

Popis výsledku v původním jazyce

In 1830 the new theatre building was opened in the Olomouc Upper square. The stable theatre live enriched enormously culture live of the city and encouraged development of publishing activities in both ways – music journalism and publishing houses. The public debates on artistic value of theatre performances, on abalities of particular artists etc. gained new quality after the October diploma 1860 because Czechs living in and around the traditional German city put pressure on theatre directors and demanded Czech plays on the stage. Czech national movement was getting richer during 1870s and arouse competitive and unfriendly reactions on German side. The arguments for refusal of Smetana´s and Tchaikovsky´s operas by directors of Olomouc theatres are discussed with the support of source research of documents from acts of local goverments as well as periodicals.

Název v anglickém jazyce

The „Slavic Spirit“ and the Opera Scene in Olomouc, 1830–1920

Popis výsledku anglicky

In 1830 the new theatre building was opened in the Olomouc Upper square. The stable theatre live enriched enormously culture live of the city and encouraged development of publishing activities in both ways – music journalism and publishing houses. The public debates on artistic value of theatre performances, on abalities of particular artists etc. gained new quality after the October diploma 1860 because Czechs living in and around the traditional German city put pressure on theatre directors and demanded Czech plays on the stage. Czech national movement was getting richer during 1870s and arouse competitive and unfriendly reactions on German side. The arguments for refusal of Smetana´s and Tchaikovsky´s operas by directors of Olomouc theatres are discussed with the support of source research of documents from acts of local goverments as well as periodicals.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Studia Musicologica

ISSN

1788-6244

e-ISSN

—

Svazek periodika

58

Číslo periodika v rámci svazku

3-4

Stát vydavatele periodika

HU - Maďarsko

Počet stran výsledku

21

Strana od-do

341-361

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85063912470