Xizang xin xiaoshuo: Can Chinese literature be Tibetan?

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F18%3A73590148" target="_blank" >RIV/61989592:15210/18:73590148 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Xizang xin xiaoshuo: Can Chinese literature be Tibetan?

Popis výsledku v původním jazyce

The Sinophone “new fiction from Tibet” (Ch. xizang xin xiaoshuo) emerged during the 1980s as a hybrid cultural product encompassing writers of different ethnic background and their works, which absorbed and appropriated various influences, traditional and modern, Tibetan, Chinese, Western and other. As such, this kind of literature resonates with literatures that emerged from the (post)colonial conditions of many Asian, African and American countries during the twentieth century, not only by using similar strategies of representation of the Other (native or colonial), but also by imitating certain narrative strategies that evolved from the Western modernism. The notion of “literature from Tibet” (xizang wenxue) appears to be a problematic one, as it is defined geographically, by the place of origin, not by literary, ethnic, or cultural factors. Thus, in itself, it pre-supposes a common condition of the authors and a kind of common identity hidden behind the texts, based upon the geographical location. In the broadest sense, the authors share a similar experience of living in Tibet and approaching it through the prism of the dominant (Chinese) culture and ideology. The aim of this article is to show that despite this fact, two different perspectives can be distinguished in the “literature from Tibet”, bespeaking the inclination of particular authors either to Chinese (dominant) or to Tibetan (minor) identity.

Název v anglickém jazyce

Xizang xin xiaoshuo: Can Chinese literature be Tibetan?

Popis výsledku anglicky

The Sinophone “new fiction from Tibet” (Ch. xizang xin xiaoshuo) emerged during the 1980s as a hybrid cultural product encompassing writers of different ethnic background and their works, which absorbed and appropriated various influences, traditional and modern, Tibetan, Chinese, Western and other. As such, this kind of literature resonates with literatures that emerged from the (post)colonial conditions of many Asian, African and American countries during the twentieth century, not only by using similar strategies of representation of the Other (native or colonial), but also by imitating certain narrative strategies that evolved from the Western modernism. The notion of “literature from Tibet” (xizang wenxue) appears to be a problematic one, as it is defined geographically, by the place of origin, not by literary, ethnic, or cultural factors. Thus, in itself, it pre-supposes a common condition of the authors and a kind of common identity hidden behind the texts, based upon the geographical location. In the broadest sense, the authors share a similar experience of living in Tibet and approaching it through the prism of the dominant (Chinese) culture and ideology. The aim of this article is to show that despite this fact, two different perspectives can be distinguished in the “literature from Tibet”, bespeaking the inclination of particular authors either to Chinese (dominant) or to Tibetan (minor) identity.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60204 - General literature studies

Projekt

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Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Moderniznig Tibetan Literary Tradition

ISBN

978-5-288-05845-5

Počet stran výsledku

21

Strana od-do

21-41

Počet stran knihy

196

Název nakladatele

St. Petersburg University Press

Místo vydání

Petrohrad

Kód UT WoS kapitoly

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