Theatrical apparatus and social change: The Divadlo práce project
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F18%3A73591930" target="_blank" >RIV/61989592:15210/18:73591930 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Theatrical apparatus and social change: The Divadlo práce project
Popis výsledku v původním jazyce
The essay discusses the project of the Theatre of Labor that was designed and thought out by Czech avant-garde director and leader of Theatre D Emil František Burian and his scenographer Miroslav Kouřil between 1936-1939. They proposed a theatre institution, situated on one of Prague islands, that manifested the concept of theatre as a center of culture and combined black-box open theatre space, special “theatergraph” space for combination of theatre and cinema, small state for declamation and in early stage a social housing. Using the concept of apparatus/dispositif, the embodiment of the main idea of Burian and Kouřil in the project, that is that the avant-garde have to change its material and organizational base in order to reach new aesthetics and consequently change the dominant social order, is analyzed. Consequently, with a special attention to the topography of Prague islands and riverbanks, the notion of (contra)hegemony is employed to look at the paradox that the project manifested on one hand an attempt to establish a theatre for working class as antithesis of national, bourgeois theatre, and on the other the attempt to inscribe this ambitious proposition into the modernist ethos and narrative of the first Czechoslovak republic. The Theatre of Labor project is compared to other projects and realization of interwar theatre architecture and its analysis is framed by the discussion on the proper building and space for avant-garde theatre in 1900s and 1930s.
Název v anglickém jazyce
Theatrical apparatus and social change: The Divadlo práce project
Popis výsledku anglicky
The essay discusses the project of the Theatre of Labor that was designed and thought out by Czech avant-garde director and leader of Theatre D Emil František Burian and his scenographer Miroslav Kouřil between 1936-1939. They proposed a theatre institution, situated on one of Prague islands, that manifested the concept of theatre as a center of culture and combined black-box open theatre space, special “theatergraph” space for combination of theatre and cinema, small state for declamation and in early stage a social housing. Using the concept of apparatus/dispositif, the embodiment of the main idea of Burian and Kouřil in the project, that is that the avant-garde have to change its material and organizational base in order to reach new aesthetics and consequently change the dominant social order, is analyzed. Consequently, with a special attention to the topography of Prague islands and riverbanks, the notion of (contra)hegemony is employed to look at the paradox that the project manifested on one hand an attempt to establish a theatre for working class as antithesis of national, bourgeois theatre, and on the other the attempt to inscribe this ambitious proposition into the modernist ethos and narrative of the first Czechoslovak republic. The Theatre of Labor project is compared to other projects and realization of interwar theatre architecture and its analysis is framed by the discussion on the proper building and space for avant-garde theatre in 1900s and 1930s.
Klasifikace
Druh
D - Stať ve sborníku
CEP obor
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OECD FORD obor
60402 - Architectural design
Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2018
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název statě ve sborníku
Reclaimed Avant-garde: spaces and stages of avant-garde theatre in Cetral-Eastern Europe
ISBN
978-83-66124-05-9
ISSN
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e-ISSN
neuvedeno
Počet stran výsledku
15
Strana od-do
119-133
Název nakladatele
Zbigniew Raszewski Theatre Institute
Místo vydání
Warsaw
Místo konání akce
Warsaw
Datum konání akce
13. 11. 2017
Typ akce podle státní příslušnosti
EUR - Evropská akce
Kód UT WoS článku
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