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Theatrical apparatus and social change: The Divadlo práce project

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F18%3A73591930" target="_blank" >RIV/61989592:15210/18:73591930 - isvavai.cz</a>

  • Výsledek na webu

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Theatrical apparatus and social change: The Divadlo práce project

  • Popis výsledku v původním jazyce

    The essay discusses the project of the Theatre of Labor that was designed and thought out by Czech avant-garde director and leader of Theatre D Emil František Burian and his scenographer Miroslav Kouřil between 1936-1939. They proposed a theatre institution, situated on one of Prague islands, that manifested the concept of theatre as a center of culture and combined black-box open theatre space, special “theatergraph” space for combination of theatre and cinema, small state for declamation and in early stage a social housing. Using the concept of apparatus/dispositif, the embodiment of the main idea of Burian and Kouřil in the project, that is that the avant-garde have to change its material and organizational base in order to reach new aesthetics and consequently change the dominant social order, is analyzed. Consequently, with a special attention to the topography of Prague islands and riverbanks, the notion of (contra)hegemony is employed to look at the paradox that the project manifested on one hand an attempt to establish a theatre for working class as antithesis of national, bourgeois theatre, and on the other the attempt to inscribe this ambitious proposition into the modernist ethos and narrative of the first Czechoslovak republic. The Theatre of Labor project is compared to other projects and realization of interwar theatre architecture and its analysis is framed by the discussion on the proper building and space for avant-garde theatre in 1900s and 1930s.

  • Název v anglickém jazyce

    Theatrical apparatus and social change: The Divadlo práce project

  • Popis výsledku anglicky

    The essay discusses the project of the Theatre of Labor that was designed and thought out by Czech avant-garde director and leader of Theatre D Emil František Burian and his scenographer Miroslav Kouřil between 1936-1939. They proposed a theatre institution, situated on one of Prague islands, that manifested the concept of theatre as a center of culture and combined black-box open theatre space, special “theatergraph” space for combination of theatre and cinema, small state for declamation and in early stage a social housing. Using the concept of apparatus/dispositif, the embodiment of the main idea of Burian and Kouřil in the project, that is that the avant-garde have to change its material and organizational base in order to reach new aesthetics and consequently change the dominant social order, is analyzed. Consequently, with a special attention to the topography of Prague islands and riverbanks, the notion of (contra)hegemony is employed to look at the paradox that the project manifested on one hand an attempt to establish a theatre for working class as antithesis of national, bourgeois theatre, and on the other the attempt to inscribe this ambitious proposition into the modernist ethos and narrative of the first Czechoslovak republic. The Theatre of Labor project is compared to other projects and realization of interwar theatre architecture and its analysis is framed by the discussion on the proper building and space for avant-garde theatre in 1900s and 1930s.

Klasifikace

  • Druh

    D - Stať ve sborníku

  • CEP obor

  • OECD FORD obor

    60402 - Architectural design

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2018

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název statě ve sborníku

    Reclaimed Avant-garde: spaces and stages of avant-garde theatre in Cetral-Eastern Europe

  • ISBN

    978-83-66124-05-9

  • ISSN

  • e-ISSN

    neuvedeno

  • Počet stran výsledku

    15

  • Strana od-do

    119-133

  • Název nakladatele

    Zbigniew Raszewski Theatre Institute

  • Místo vydání

    Warsaw

  • Místo konání akce

    Warsaw

  • Datum konání akce

    13. 11. 2017

  • Typ akce podle státní příslušnosti

    EUR - Evropská akce

  • Kód UT WoS článku