Art-historical Research of El Greco´s Painting Christ in Prayer from the National Gallery in the 20th Century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73599340" target="_blank" >RIV/61989592:15210/19:73599340 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.ngprague.cz/archiv-bulletinu-ng-v-praze" target="_blank" >https://www.ngprague.cz/archiv-bulletinu-ng-v-praze</a>

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Art-historical Research of El Greco´s Painting Christ in Prayer from the National Gallery in the 20th Century

Popis výsledku v původním jazyce

El Greco captured Christ immersed in prayer, with his upturned eyes reflecting deep emotion. This canvas is based on the painting, Christ Stripped of his Garments in Toledo Cathedral. El Greco separated Christ’s bust from the Toledo composition, thus changing the fixed type of Christ Pantocrator into a painting of innermost feelings, featuring Christ-man in a silent dialogue with God. The Prague canvas is one of the three versions of this composition. The two others, similar to the Prague painting, but not signed, are held by the Museo San Telmo in Spain and the McNay Art Institute in Texas. The quality of the Prague painting and the fact that it is signed suggest it was probably used as a prototype for studio replicas. The painting was originally in possession of the Royal family of the Spanish Bourbons. The picture was restorated by the Prado ´s restorer Rafael Alonso.

Název v anglickém jazyce

Art-historical Research of El Greco´s Painting Christ in Prayer from the National Gallery in the 20th Century

Popis výsledku anglicky

El Greco captured Christ immersed in prayer, with his upturned eyes reflecting deep emotion. This canvas is based on the painting, Christ Stripped of his Garments in Toledo Cathedral. El Greco separated Christ’s bust from the Toledo composition, thus changing the fixed type of Christ Pantocrator into a painting of innermost feelings, featuring Christ-man in a silent dialogue with God. The Prague canvas is one of the three versions of this composition. The two others, similar to the Prague painting, but not signed, are held by the Museo San Telmo in Spain and the McNay Art Institute in Texas. The quality of the Prague painting and the fact that it is signed suggest it was probably used as a prototype for studio replicas. The painting was originally in possession of the Royal family of the Spanish Bourbons. The picture was restorated by the Prado ´s restorer Rafael Alonso.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Bulletin of the National Gallery in Prague

ISSN

0862-8912

e-ISSN

—

Svazek periodika

2019

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

14

Strana od-do

6-19

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—