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Punk and Oi! Rebellion? Music and Commodification of the Youth Subcultures in Czechoslovakia at the Turn of the 1980–90s

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F22%3A73614204" target="_blank" >RIV/61989592:15210/22:73614204 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://kramerius.lib.cas.cz/uuid/uuid:7c43c3db-7f92-455d-b0d2-f16bd50e3309" target="_blank" >https://kramerius.lib.cas.cz/uuid/uuid:7c43c3db-7f92-455d-b0d2-f16bd50e3309</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.54759/MUSICOLOGY-2022-0204" target="_blank" >10.54759/MUSICOLOGY-2022-0204</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Punk and Oi! Rebellion? Music and Commodification of the Youth Subcultures in Czechoslovakia at the Turn of the 1980–90s

  • Popis výsledku v původním jazyce

    The paper aims to convey why there was an increased interest in punk music and related genres that became part of the mainstream in 1990, and the specifics of such popularity, by studying the transformation of the perception of punk music and related genres in the historical and social perspective. The paper elaborates on the theory that the boundaries between alternative creation and mainstream were more fluid at the turn of the 1980s and 1990s. For a short time, punk moved from the very edge to the centre of the music industry and become the focus of interest by mainstream media. The paper also brings forth some arguments why it was only a short phase. It points to the place of workers’ pub anti-aesthetics as an important cultural figure influencing the socialization of the generation of the “Husak’s Children”. What were the expert reflections of this music production, for example, in the form of music reviews released by official publishing houses? What role did the generational and class identifications of individual artists, music publicists, and fans play in the reception of punk? The research is based primarily on the analysis of official and unofficial music journalism, but also on interviews with the people involved.

  • Název v anglickém jazyce

    Punk and Oi! Rebellion? Music and Commodification of the Youth Subcultures in Czechoslovakia at the Turn of the 1980–90s

  • Popis výsledku anglicky

    The paper aims to convey why there was an increased interest in punk music and related genres that became part of the mainstream in 1990, and the specifics of such popularity, by studying the transformation of the perception of punk music and related genres in the historical and social perspective. The paper elaborates on the theory that the boundaries between alternative creation and mainstream were more fluid at the turn of the 1980s and 1990s. For a short time, punk moved from the very edge to the centre of the music industry and become the focus of interest by mainstream media. The paper also brings forth some arguments why it was only a short phase. It points to the place of workers’ pub anti-aesthetics as an important cultural figure influencing the socialization of the generation of the “Husak’s Children”. What were the expert reflections of this music production, for example, in the form of music reviews released by official publishing houses? What role did the generational and class identifications of individual artists, music publicists, and fans play in the reception of punk? The research is based primarily on the analysis of official and unofficial music journalism, but also on interviews with the people involved.

Klasifikace

  • Druh

    J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS

  • CEP obor

  • OECD FORD obor

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Návaznosti výsledku

  • Projekt

    <a href="/cs/project/GA20-24091S" target="_blank" >GA20-24091S: Překrásný nový svět: mládež, hudba a třída v českém postsocialismu</a><br>

  • Návaznosti

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Ostatní

  • Rok uplatnění

    2022

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    HUDEBNI VEDA

  • ISSN

    0018-7003

  • e-ISSN

  • Svazek periodika

    59

  • Číslo periodika v rámci svazku

    2-3

  • Stát vydavatele periodika

    CZ - Česká republika

  • Počet stran výsledku

    33

  • Strana od-do

    315-347

  • Kód UT WoS článku

    000900642900005

  • EID výsledku v databázi Scopus

    2-s2.0-85138562130