Expressionism, Existentialism, and Socialism in Scars of the Past

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73620073" target="_blank" >RIV/61989592:15210/23:73620073 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1515/9781474498166-011" target="_blank" >http://dx.doi.org/10.1515/9781474498166-011</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1515/9781474498166-011" target="_blank" >10.1515/9781474498166-011</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Expressionism, Existentialism, and Socialism in Scars of the Past

Popis výsledku v původním jazyce

The chapter analyzes Václav Krška&apos;s film Scars of the Past (Zde jsou lvi), particularly its noir-inflected narrative strategies, visual properties and construction of the main character, and relates these to the specific historical situation in which it was made and released. When viewed through the noir lens, so to speak, the incompatibility of Scars of the Past with the prevailing ideological and aesthetic norms in Czechoslovakia of the late 1950s becomes more apparent. The film tackled sensitive issues (individualism, crisis of conscience, alcoholism, infidelity) in a highly unconventional manner which explains why it became such a welcome target for the threatened Communist regime.

Název v anglickém jazyce

Expressionism, Existentialism, and Socialism in Scars of the Past

Popis výsledku anglicky

The chapter analyzes Václav Krška&apos;s film Scars of the Past (Zde jsou lvi), particularly its noir-inflected narrative strategies, visual properties and construction of the main character, and relates these to the specific historical situation in which it was made and released. When viewed through the noir lens, so to speak, the incompatibility of Scars of the Past with the prevailing ideological and aesthetic norms in Czechoslovakia of the late 1950s becomes more apparent. The film tackled sensitive issues (individualism, crisis of conscience, alcoholism, infidelity) in a highly unconventional manner which explains why it became such a welcome target for the threatened Communist regime.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Liminal Noir in Classical World Cinema

ISBN

978-1-4744-9816-6

Počet stran výsledku

18

Strana od-do

87-104

Počet stran knihy

232

Název nakladatele

Edinburgh University Press

Místo vydání

Edinburgh

Kód UT WoS kapitoly

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