We Can Work It Out: Adaptations of The Beatles’ Songs in Communist Czechoslovakia

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73620946" target="_blank" >RIV/61989592:15210/23:73620946 - isvavai.cz</a>

Výsledek na webu

<a href="https://obd.upol.cz/id_publ/333200833" target="_blank" >https://obd.upol.cz/id_publ/333200833</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

We Can Work It Out: Adaptations of The Beatles’ Songs in Communist Czechoslovakia

Popis výsledku v původním jazyce

This paper examines the extent and context of the adoption of The Beatles’repertoire in communist Czechoslovakia, particularly in the Czech lands. The primaryfocus is on official recordings made by the state label Supraphon. The text is divided intothree parts that frame the character and chronology of Czech popular music. The first partdeals with adaptations of The Beatles’ songs by the newly forming rock scene in the 1960s;the second follows the simultaneous attempts at the appropriation of the British band’smusic by professional jazz/ dance music orchestras and their creative teams; and the thirdexamines the contexts and types of adaptation of The Beatles’ repertoire under the specificconditions of so- called normalization, with particular emphasis on the 1970s. The articleconsiders music historical, artistic, and cultural political issues related to the process ofadapting the music of the Fab Four.

Název v anglickém jazyce

We Can Work It Out: Adaptations of The Beatles’ Songs in Communist Czechoslovakia

Popis výsledku anglicky

This paper examines the extent and context of the adoption of The Beatles’repertoire in communist Czechoslovakia, particularly in the Czech lands. The primaryfocus is on official recordings made by the state label Supraphon. The text is divided intothree parts that frame the character and chronology of Czech popular music. The first partdeals with adaptations of The Beatles’ songs by the newly forming rock scene in the 1960s;the second follows the simultaneous attempts at the appropriation of the British band’smusic by professional jazz/ dance music orchestras and their creative teams; and the thirdexamines the contexts and types of adaptation of The Beatles’ repertoire under the specificconditions of so- called normalization, with particular emphasis on the 1970s. The articleconsiders music historical, artistic, and cultural political issues related to the process ofadapting the music of the Fab Four.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Translation, Adaptation, and Intertextuality in Hungarian Popular Music

ISBN

978-3-631-88974-9

Počet stran výsledku

24

Strana od-do

201-224

Počet stran knihy

284

Název nakladatele

Peter Lang Verlag

Místo vydání

Frankfurt am Main

Kód UT WoS kapitoly

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