The Holocaust Commemoration Through Music and Sounds in Terezín and Auschwitz-Birkenau after 1989

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73622175" target="_blank" >RIV/61989592:15210/23:73622175 - isvavai.cz</a>

Výsledek na webu

<a href="https://obd.upol.cz/id_publ/333202062" target="_blank" >https://obd.upol.cz/id_publ/333202062</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.54759/MUSICOLOGY-2023-0402" target="_blank" >10.54759/MUSICOLOGY-2023-0402</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Holocaust Commemoration Through Music and Sounds in Terezín and Auschwitz-Birkenau after 1989

Popis výsledku v původním jazyce

The article characterizes the importance of sound and music in public events commemorating the Holocaust in Poland and the Czech Republic after 1989. Two events were selected: the Terezín commemoration and the celebration of the liberation of Auschwitz-Birkenau. The reconstruction of official ceremonies is based on materials collected during archival research, as well as on audiovisual documentation and interviews. The main methodological framework has been soundscape theory and memory studies, supplemented by some concepts such as “listening in the grey zone” or “the affective kitsch of the Holocaust”. Included in the article are passages reporting on what music looked like in the Auschwitz-Birkenau concentration camp and the Terezín ghetto during the Holocaust and the literature on it. The two main chapters of the thesis analyse how the repertoire performed during the ceremonial events and the concerts organised within them evolved. The sound and musical character of the festivities is evaluated in relation to the changes in the collective memory of the Holocaust in the Czech Republic and Poland.

Název v anglickém jazyce

The Holocaust Commemoration Through Music and Sounds in Terezín and Auschwitz-Birkenau after 1989

Popis výsledku anglicky

The article characterizes the importance of sound and music in public events commemorating the Holocaust in Poland and the Czech Republic after 1989. Two events were selected: the Terezín commemoration and the celebration of the liberation of Auschwitz-Birkenau. The reconstruction of official ceremonies is based on materials collected during archival research, as well as on audiovisual documentation and interviews. The main methodological framework has been soundscape theory and memory studies, supplemented by some concepts such as “listening in the grey zone” or “the affective kitsch of the Holocaust”. Included in the article are passages reporting on what music looked like in the Auschwitz-Birkenau concentration camp and the Terezín ghetto during the Holocaust and the literature on it. The two main chapters of the thesis analyse how the repertoire performed during the ceremonial events and the concerts organised within them evolved. The sound and musical character of the festivities is evaluated in relation to the changes in the collective memory of the Holocaust in the Czech Republic and Poland.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GA22-34342S" target="_blank" >GA22-34342S: Akustická paměť druhé světové války v českém kontextu v letech 1990–2020</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

HUDEBNI VEDA

ISSN

0018-7003

e-ISSN

—

Svazek periodika

LX

Číslo periodika v rámci svazku

4

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

40

Strana od-do

461-500

Kód UT WoS článku

001239946800002

EID výsledku v databázi Scopus

2-s2.0-85183394430